Demi-devils: The Character of Shakespeare's Villains |
From inside the book
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Page 70
... justice , and a woman whose marriage to this villain degrades her character . Apparently he does not read this play thematically ; therefore he does not see these two characters as symbols of justice and mercy . Swinburne's objection is ...
... justice , and a woman whose marriage to this villain degrades her character . Apparently he does not read this play thematically ; therefore he does not see these two characters as symbols of justice and mercy . Swinburne's objection is ...
Page 71
... justice claims Claudio's life . Although Dodd's position is extreme , there is some evidence that Shakespeare intended to represent Angelo not as a base vil- lain , but as a man who succumbs to temptation . When the Duke proposes to ...
... justice claims Claudio's life . Although Dodd's position is extreme , there is some evidence that Shakespeare intended to represent Angelo not as a base vil- lain , but as a man who succumbs to temptation . When the Duke proposes to ...
Page 75
... justice In that he did the thing for which he died . For Angelo , His act did not o'ertake his bad intent , And must be buried but as an intent That perish'd by the way . Thoughts are no subjects , Intents but merely thoughts . ( V : i ...
... justice In that he did the thing for which he died . For Angelo , His act did not o'ertake his bad intent , And must be buried but as an intent That perish'd by the way . Thoughts are no subjects , Intents but merely thoughts . ( V : i ...
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Common terms and phrases
Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes