Demi-devils: The Character of Shakespeare's Villains |
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Page 18
... critics had made of him . Though some of Professor Stoll's arguments were anticipated by Robert Bridges , Tolstoy , and Levin Schücking , Stoll probably represents the most persistent of twentieth century research scholars who have ...
... critics had made of him . Though some of Professor Stoll's arguments were anticipated by Robert Bridges , Tolstoy , and Levin Schücking , Stoll probably represents the most persistent of twentieth century research scholars who have ...
Page 19
... critics ] as poetic romances rather than as drama , and this meant that the action became altogether subordinated to the character . Coleridge's psychological bent and Lamb's gregariousness turned all the characters into real human ...
... critics ] as poetic romances rather than as drama , and this meant that the action became altogether subordinated to the character . Coleridge's psychological bent and Lamb's gregariousness turned all the characters into real human ...
Page 70
... critics . Following his own advice , Coleridge " exercises that willing sus- pension of disbelief . . . that ... critics agree in disapproving the way Shakespeare handles his material . More recently , however , there have been critics ...
... critics . Following his own advice , Coleridge " exercises that willing sus- pension of disbelief . . . that ... critics agree in disapproving the way Shakespeare handles his material . More recently , however , there have been critics ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes