Demi-devils: The Character of Shakespeare's Villains |
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Page 32
... course , one should not be surprised at Shakespeare's shallow characterization of Aaron at this early stage of his dramatic career ; for , in using such a villain , Shakespeare undoubtedly realized that he was availing himself of a ...
... course , one should not be surprised at Shakespeare's shallow characterization of Aaron at this early stage of his dramatic career ; for , in using such a villain , Shakespeare undoubtedly realized that he was availing himself of a ...
Page 40
... course , literally true ; yet Stoll's statement does not square with the facts as Othello understands them up to the time he is misled . After all , Iago was a subordinate of long standing ; he it is to whom Othello entrusts his wife on ...
... course , literally true ; yet Stoll's statement does not square with the facts as Othello understands them up to the time he is misled . After all , Iago was a subordinate of long standing ; he it is to whom Othello entrusts his wife on ...
Page 104
... course of the drama does Claud- ius ever say a disparaging thing concerning Hamlet to the Queen .... Hamlet in their presence is untiring in his in- sults to the King ; Claudius may bite his lip , but his answer to the Prince is always ...
... course of the drama does Claud- ius ever say a disparaging thing concerning Hamlet to the Queen .... Hamlet in their presence is untiring in his in- sults to the King ; Claudius may bite his lip , but his answer to the Prince is always ...
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Common terms and phrases
Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes