Demi-devils: The Character of Shakespeare's Villains |
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Page 21
... appear to have reasons of their own for their behavior . This is important because plays are written so that the characters and the plot supplement each other ; and if it appears to the audience that a character acts only to further the ...
... appear to have reasons of their own for their behavior . This is important because plays are written so that the characters and the plot supplement each other ; and if it appears to the audience that a character acts only to further the ...
Page 23
... appear , but using the same two columns of villains , is there any other basis by which Aaron can profitably be compared with Iago , Angelo s with Shylock , and Richard III with Macbeth ? Yes , because Aaron e and Iago are commonly ...
... appear , but using the same two columns of villains , is there any other basis by which Aaron can profitably be compared with Iago , Angelo s with Shylock , and Richard III with Macbeth ? Yes , because Aaron e and Iago are commonly ...
Page 100
... appear in his character . The qualities which make him a murderer should come out clearly in his relation to his environment even after he has attained his object.11 Such a remark seems to overlook completely the varying tem- peraments ...
... appear in his character . The qualities which make him a murderer should come out clearly in his relation to his environment even after he has attained his object.11 Such a remark seems to overlook completely the varying tem- peraments ...
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Common terms and phrases
Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes