Demi-devils: The Character of Shakespeare's Villains |
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Page 18
Stoll's argument was anticipated by an expert on the theatre , George Pierce Baker , who , in The Development of Shakespeare as a Dramatist , insists that Shakespeare's audience was more interested in story , plot , and action than in ...
Stoll's argument was anticipated by an expert on the theatre , George Pierce Baker , who , in The Development of Shakespeare as a Dramatist , insists that Shakespeare's audience was more interested in story , plot , and action than in ...
Page 44
Now , ' mongst this flock of drunkards Am I to put our Cassio in some action That may offend the isle . ( II : iii : 50-63 ) As Iago had anticipated , Cassio becomes heated and quarrelsome after a few drinks ; his fight with Roderigo ...
Now , ' mongst this flock of drunkards Am I to put our Cassio in some action That may offend the isle . ( II : iii : 50-63 ) As Iago had anticipated , Cassio becomes heated and quarrelsome after a few drinks ; his fight with Roderigo ...
Page 101
It is not true , as Schücking maintains , “ that the action could not dispense with the prayer scenę , inasmuch as it is the only means of giving the spectator the final confirmation , which is urgently required , that the events ...
It is not true , as Schücking maintains , “ that the action could not dispense with the prayer scenę , inasmuch as it is the only means of giving the spectator the final confirmation , which is urgently required , that the events ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius complete conclusion consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice kind King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes