Demi-devils: The Character of Shakespeare's Villains |
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Page 18
... action , not character . Stoll's implication here is that nineteenth century critics , with their interest in personal- ities , lost sight of the function of drama as a whole and placed undue emphasis on character . Stoll's argument was ...
... action , not character . Stoll's implication here is that nineteenth century critics , with their interest in personal- ities , lost sight of the function of drama as a whole and placed undue emphasis on character . Stoll's argument was ...
Page 44
... action That may offend the isle . ( II : iii : 50-63 ) As Iago had anticipated , Cassio becomes heated and ... action is that it does not raise the problem of harmony between plot and character that generally confronts the dramatist ...
... action That may offend the isle . ( II : iii : 50-63 ) As Iago had anticipated , Cassio becomes heated and ... action is that it does not raise the problem of harmony between plot and character that generally confronts the dramatist ...
Page 101
... action could not dispense with the prayer scenÄ™ , inasmuch as it is the only means of giving the spectator the final confirmation , which is urgently required , that the events related by the ghost have actually taken place in the ...
... action could not dispense with the prayer scenÄ™ , inasmuch as it is the only means of giving the spectator the final confirmation , which is urgently required , that the events related by the ghost have actually taken place in the ...
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Common terms and phrases
Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes