Demi-devils: The Character of Shakespeare's Villains |
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Page 88
The Character of Shakespeare's Villains Charles Norton Coe. V. REGAN , GONERIL , EDMUND , AND CLAUDIUS Regan , Goneril , Edmund , and Claudius do not dominate their plays to the same extent as do the villains already discussed ...
The Character of Shakespeare's Villains Charles Norton Coe. V. REGAN , GONERIL , EDMUND , AND CLAUDIUS Regan , Goneril , Edmund , and Claudius do not dominate their plays to the same extent as do the villains already discussed ...
Page 92
... Goneril and Cordelia have far more strength than he has , largely because they are narrow in vision : they can only see a thing from their own point of view . It is this , indeed , that gives Goneril her deadly power : she is completely ...
... Goneril and Cordelia have far more strength than he has , largely because they are narrow in vision : they can only see a thing from their own point of view . It is this , indeed , that gives Goneril her deadly power : she is completely ...
Page 96
... Goneril and Regan are brought in , Edmund says : Yet Edmund was belov'd . The one the other poisoned for my sake , And after slew herself . ( V : iii : 239-241 ) This , too , is expository , a tying up of the loose ends of plot ; it ...
... Goneril and Regan are brought in , Edmund says : Yet Edmund was belov'd . The one the other poisoned for my sake , And after slew herself . ( V : iii : 239-241 ) This , too , is expository , a tying up of the loose ends of plot ; it ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes