Demi-devils: The Character of Shakespeare's Villains |
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Page 93
... Edmund's bastardy . He also states that Edmund's bastardy has been a source of embarrassment to the father . We may infer that the illegitimate son has suffered mental anguish from the realization and reminder of his status . According ...
... Edmund's bastardy . He also states that Edmund's bastardy has been a source of embarrassment to the father . We may infer that the illegitimate son has suffered mental anguish from the realization and reminder of his status . According ...
Page 95
... Edmund feels toward Edgar , who is destined to inherit all their father's possessions . Edmund also has some traces of the liveliness that characterizes villains like Richard III and Iago . In his wit and vivaciousness we see how the ...
... Edmund feels toward Edgar , who is destined to inherit all their father's possessions . Edmund also has some traces of the liveliness that characterizes villains like Richard III and Iago . In his wit and vivaciousness we see how the ...
Page 96
... Edmund makes another statement that reveals a pathetic , human quality in this social outcast . When the bodies of Goneril and Regan are brought in , Edmund says : Yet Edmund was belov'd . The one the other poisoned for my sake , And ...
... Edmund makes another statement that reveals a pathetic , human quality in this social outcast . When the bodies of Goneril and Regan are brought in , Edmund says : Yet Edmund was belov'd . The one the other poisoned for my sake , And ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes