English Romantic Poets: Modern Essays in CriticismM. H. Abrams This highly acclaimed volume contains thirty essays by such leading literary critics as A.O. Lovejoy, Lionel Trilling, C.S. Lewis, F.R. Leavis, Northrop Frye, Harold Bloom, Geoffrey Hartman, Jonathan Wordsworth, and Jack Stillinger. Covering the major poems by each of the important Romantic poets, the contributors present many significant perspectives in modern criticism--old and new, discursive and explicative, mimetic and rhetorical, literal and mythical, archetypal and phenomenological, pro and con. |
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Page vii
... Nature Imagery 25 M. H. ABRAMs The Correspondent Breeze: A Romantic Metaphor 37 Blake NORTHROP FRYE” Blake's Treatment of the Archetype 55 David v. ERDMAN° Blake: The Historical Approach 72 Robert F. GLECKNER Point of View and Context ...
... Nature Imagery 25 M. H. ABRAMs The Correspondent Breeze: A Romantic Metaphor 37 Blake NORTHROP FRYE” Blake's Treatment of the Archetype 55 David v. ERDMAN° Blake: The Historical Approach 72 Robert F. GLECKNER Point of View and Context ...
Page 5
... nature. The offspring with which Romanticism is credited are as strangely assorted as its attributes and its ancestors. It is by different historians— sometimes by the same historians—supposed to have begotten the French Revolution and ...
... nature. The offspring with which Romanticism is credited are as strangely assorted as its attributes and its ancestors. It is by different historians— sometimes by the same historians—supposed to have begotten the French Revolution and ...
Page 10
... natural differences of phraseology, are identical in essence—are separate outcroppings of the same vein of metal, precious or base, according to your taste. But a more careful scrutiny shows a ... Nature'). #43 #No of AN": {{... }^{ots.
... natural differences of phraseology, are identical in essence—are separate outcroppings of the same vein of metal, precious or base, according to your taste. But a more careful scrutiny shows a ... Nature'). #43 #No of AN": {{... }^{ots.
Page 11
... Nature') is one which had been a commonplace for many centuries: the superiority of 'nature' to 'art. It is a theme which goes back to Rabelais's contrast of Physis and Antiphysie. It had been the inspiration of some of the most famous ...
... Nature') is one which had been a commonplace for many centuries: the superiority of 'nature' to 'art. It is a theme which goes back to Rabelais's contrast of Physis and Antiphysie. It had been the inspiration of some of the most famous ...
Page 12
... Nature's true pupil. Now this aesthetic inference had not, during the neo-classical period, ordinarily been drawn from the current assumption of the superiority of nature to art. The principle of 'following nature had in aesthetics ...
... Nature's true pupil. Now this aesthetic inference had not, during the neo-classical period, ordinarily been drawn from the current assumption of the superiority of nature to art. The principle of 'following nature had in aesthetics ...
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Common terms and phrases
Aeschylus appears associated beauty become beginning Blake Byron called character child Coleridge Coleridge's comes course critics death described Don Juan dream earth effect emotional English example existence experience expression eyes fact Fall feeling figure final give heart heaven hope human idea imagination important innocence interest Keats Keats's kind later least leaves less Letters light lines living look means merely mind moral move nature never object once pain passage perhaps poem poet poetic poetry possible present Prometheus question reader reason relation Romantic Romanticism seems sense Shelley Shelley's song soul speak spirit stanza suggest symbols theme things thou thought tion truth turn universe verse vision whole wind Wordsworth writing written