English Romantic Poets: Modern Essays in CriticismM. H. Abrams This highly acclaimed volume contains thirty essays by such leading literary critics as A.O. Lovejoy, Lionel Trilling, C.S. Lewis, F.R. Leavis, Northrop Frye, Harold Bloom, Geoffrey Hartman, Jonathan Wordsworth, and Jack Stillinger. Covering the major poems by each of the important Romantic poets, the contributors present many significant perspectives in modern criticism--old and new, discursive and explicative, mimetic and rhetorical, literal and mythical, archetypal and phenomenological, pro and con. |
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Page 15
... look back no more to the primitive than to the classical—the notions of which, incidentally, Schiller had curiously fused—for its models and ideals; which should be the appropriate expression, not of a natirliche but of a kiinstliche ...
... look back no more to the primitive than to the classical—the notions of which, incidentally, Schiller had curiously fused—for its models and ideals; which should be the appropriate expression, not of a natirliche but of a kiinstliche ...
Page 28
... looks and how its looks might contribute to his feelings—in the metaphoric suggestion of the 'crumbling margin and in the almost illusory tints on the surface of the stream which surprisingly have outlasted the 'delusive gleams of his ...
... looks and how its looks might contribute to his feelings—in the metaphoric suggestion of the 'crumbling margin and in the almost illusory tints on the surface of the stream which surprisingly have outlasted the 'delusive gleams of his ...
Page 34
... look back to the infinity from which they came, as persons inland on clear days can look back to the sea by which they have voyaged to the land. The tenor concerns souls and age and time. The vehicle 34 £NÇiğ HößAN's so. Fors.
... look back to the infinity from which they came, as persons inland on clear days can look back to the sea by which they have voyaged to the land. The tenor concerns souls and age and time. The vehicle 34 £NÇiğ HößAN's so. Fors.
Page 56
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Page 64
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Aeschylus appears associated beauty become beginning Blake Byron called character child Coleridge Coleridge's comes course critics death described Don Juan dream earth effect emotional English example existence experience expression eyes fact Fall feeling figure final give heart heaven hope human idea imagination important innocence interest Keats Keats's kind later least leaves less Letters light lines living look means merely mind moral move nature never object once pain passage perhaps poem poet poetic poetry possible present Prometheus question reader reason relation Romantic Romanticism seems sense Shelley Shelley's song soul speak spirit stanza suggest symbols theme things thou thought tion truth turn universe verse vision whole wind Wordsworth writing written