English Romantic Poets: Modern Essays in CriticismM. H. Abrams This highly acclaimed volume contains thirty essays by such leading literary critics as A.O. Lovejoy, Lionel Trilling, C.S. Lewis, F.R. Leavis, Northrop Frye, Harold Bloom, Geoffrey Hartman, Jonathan Wordsworth, and Jack Stillinger. Covering the major poems by each of the important Romantic poets, the contributors present many significant perspectives in modern criticism--old and new, discursive and explicative, mimetic and rhetorical, literal and mythical, archetypal and phenomenological, pro and con. |
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Page viii
... Prometheus Unbound': The Premises and the Mythic Mode 384 Keats w. Jackson BATE Keats's Style: Evolution toward Qualities of Permanent Value 411 cLEANTH BRooks Keats's Sylvan Historian 425 RICHARD H. Fogle A Note on “Ode to a ...
... Prometheus Unbound': The Premises and the Mythic Mode 384 Keats w. Jackson BATE Keats's Style: Evolution toward Qualities of Permanent Value 411 cLEANTH BRooks Keats's Sylvan Historian 425 RICHARD H. Fogle A Note on “Ode to a ...
Page 25
... Prometheus Unbound. Shelley was not able to resolve. We have been instructed in some of the more purely scientific coloring of the poetry—the images derived from geology, astronomy, and magnetism, and the coruscant green mystery which ...
... Prometheus Unbound. Shelley was not able to resolve. We have been instructed in some of the more purely scientific coloring of the poetry—the images derived from geology, astronomy, and magnetism, and the coruscant green mystery which ...
Page 36
... Prometheus Unbound: An Interpretation (Chapel Hill, 1935), 142-43, 151; Frederick A. Pottle, The Idiom of Poetry (Ithaca, 1941), chap I. For a survey of recent writing on the English romantic theory of imagination, see Thomas M. Raysor ...
... Prometheus Unbound: An Interpretation (Chapel Hill, 1935), 142-43, 151; Frederick A. Pottle, The Idiom of Poetry (Ithaca, 1941), chap I. For a survey of recent writing on the English romantic theory of imagination, see Thomas M. Raysor ...
Page 213
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Aeschylus appears associated beauty become beginning Blake Byron called character child Coleridge Coleridge's comes course critics death described Don Juan dream earth effect emotional English example existence experience expression eyes fact Fall feeling figure final give heart heaven hope human idea imagination important innocence interest Keats Keats's kind later least leaves less Letters light lines living look means merely mind moral move nature never object once pain passage perhaps poem poet poetic poetry possible present Prometheus question reader reason relation Romantic Romanticism seems sense Shelley Shelley's song soul speak spirit stanza suggest symbols theme things thou thought tion truth turn universe verse vision whole wind Wordsworth writing written