The Making of Literature: Some Principles of Criticism Examined in the Light of Ancient and Modern Theory |
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Page 259
... artist " ? " " Indeed we may as well face without delay the implica- tions which have already become apparent . How ... artist , are woven into his work - how can such a man understand what the artist has written ? If it be asserted that ...
... artist " ? " " Indeed we may as well face without delay the implica- tions which have already become apparent . How ... artist , are woven into his work - how can such a man understand what the artist has written ? If it be asserted that ...
Page 331
... artist's proper job to create a vehicle of communication . His artist , as artist , is interested in nothing but his intuition , and it is only when he puts away his æsthetic nature , and submits to his non - æsthetic , practical will ...
... artist's proper job to create a vehicle of communication . His artist , as artist , is interested in nothing but his intuition , and it is only when he puts away his æsthetic nature , and submits to his non - æsthetic , practical will ...
Page 379
... artist is exposed to it , the former's experience and study enabling him to attend to it , in just the same manner as the artist attends to it . It is only when he is thus equipped that the critic can envisage the tract of life through ...
... artist is exposed to it , the former's experience and study enabling him to attend to it , in just the same manner as the artist attends to it . It is only when he is thus equipped that the critic can envisage the tract of life through ...
Contents
Contents CHAPTER PAGE I THE LIGHT FROM HEAVEN II | 11 |
THE FIRST CRITIC | 16 |
THE LITERATURE OF POWER | 22 |
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action admiration Æschylus æsthetic ancient appears Aristophanes Aristotle Arnold artist beauty Ben Jonson Boileau century character classical Coleridge creative critic Croce culture Dante delight Demosthenes didactic divine doctrine drama Dryden E. M. Forster elements emotions essential Euripides excellence experience expression fact faculty feeling genius gives Goethe Greek Hesiod Homer human ideal ideas imagination imitation impressions inspired intellectual intuition Jonson judgment kind language Laocoon less literary literature living Longinus matter Matthew Arnold mean metaphysical method mind modern moral nature never novel novelist object painter painting passion Pater personality philosopher picture Plato play pleasure plot Plotinus poem poet poet's poetic poetry principles prose Quintilian reality reason romantic romanticism Sainte-Beuve sculptor sense Shakespeare Sophocles soul speak spirit style sublime task taste theme theory thing thought tragedy tragic true truth unity verse vision Walter Pater whole words Wordsworth writing