The Making of Literature: Some Principles of Criticism Examined in the Light of Ancient and Modern Theory |
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Page 222
... appears to determine the object of which it is conscious , and , equally , the object appears to determine the consciousness . How to explain the contradiction that the mind determines that which itself determines the mind ? Coleridge ...
... appears to determine the object of which it is conscious , and , equally , the object appears to determine the consciousness . How to explain the contradiction that the mind determines that which itself determines the mind ? Coleridge ...
Page 256
... appears to be , for Sainte - Beuve , the last stage of the critic's task , we must not suppose him to mean that it can be isolated from the study preceding it . Nothing could be more mischievous than a glib generalization , or even a ...
... appears to be , for Sainte - Beuve , the last stage of the critic's task , we must not suppose him to mean that it can be isolated from the study preceding it . Nothing could be more mischievous than a glib generalization , or even a ...
Page 384
... appear to yield its secrets to the metaphysician , pursuing one line of inquiry , and the psychologist , pursuing another , I believe it is generally at the expense of ... appears , from what has been said , that 384 THE MAKING OF LITERATURE.
... appear to yield its secrets to the metaphysician , pursuing one line of inquiry , and the psychologist , pursuing another , I believe it is generally at the expense of ... appears , from what has been said , that 384 THE MAKING OF LITERATURE.
Contents
Contents CHAPTER PAGE I THE LIGHT FROM HEAVEN II | 11 |
THE FIRST CRITIC | 16 |
THE LITERATURE OF POWER | 22 |
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action admiration Æschylus æsthetic ancient appears Aristophanes Aristotle Arnold artist beauty Ben Jonson Boileau century character classical Coleridge creative critic Croce culture Dante delight Demosthenes didactic divine doctrine drama Dryden E. M. Forster elements emotions essential Euripides excellence experience expression fact faculty feeling genius gives Goethe Greek Hesiod Homer human ideal ideas imagination imitation impressions inspired intellectual intuition Jonson judgment kind language Laocoon less literary literature living Longinus matter Matthew Arnold mean metaphysical method mind modern moral nature never novel novelist object painter painting passion Pater personality philosopher picture Plato play pleasure plot Plotinus poem poet poet's poetic poetry principles prose Quintilian reality reason romantic romanticism Sainte-Beuve sculptor sense Shakespeare Sophocles soul speak spirit style sublime task taste theme theory thing thought tragedy tragic true truth unity verse vision Walter Pater whole words Wordsworth writing