Dramatic Micellanies: Sic Consisting of Critical Observations on Several Plays of Shakspeare: with a Review of His Principal Characters, and Those of Various Eminent Writers, as Represented by Mr. Garrick, and Other Celebrated Comedians. With Anecdotes of Dramatic Poets, Actors, &c, Volume 2
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acted action actor admirable Ęschylus Ęsopus amongst audience Beaumont and Fletcher behaviour believe Ben Jonson Bertram Bessus Betterton Booth Brutus Catiline Cibber Cicero Cleopatra Colley Cibber Colman comedians comedy comic Cordelia court death deportment dramatic Dryden Duke Edgar elder Mills English excellent eyes FalstafF fame father favour fays fense fool Garrick genius give hath Helen honour humour IDEM imitate Jonson judgement Julius Cęsar Kent King Lady Macbeth Lafeu Lear Leonard Diggs look Lope Lope de Vega Macduff manner Mark Antony master means merit mind murder noble Notwithstanding Parolles passage passion person play players plot poet prince Pritchard Quin racters reader revived Roman Roman actor Rome scene Sejanus servant Shak Shakspeare Shakspeare's Silent Woman speak spectators spirit stage Steevens superior suppose theatre ther thou tion tragedy voice Volpone wife Wilks witches Woodward word writer
Page 315 - tis fittest. Cor. How does my royal lord? How fares your majesty? Lear. You do me wrong, to take me out o' the grave. — Thou art a soul in bliss ; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.
Page 20 - element,' but the word is over-worn. \Exit. Vio. This fellow is wise enough to play the fool ; And to do that well craves a kind of wit : He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye.
Page 147 - What hands are here ? ha ! they pluck out mine eyes. Will all great Neptune's ocean wash this blood Clean from my hand ? No, this my hand will rather The multitudinous seas incarnadine, Making the green one red.
Page 253 - He only, in a general honest thought, And common good to all, made one of them. His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
Page 263 - I was many years ago so shocked by Cordelia's death, that I know not whether I ever endured to read again the last scenes of the play till I undertook to revise them as an editor.
Page 278 - Garrick rendered the curse so terribly affecting to the audience, that, during his utterance of it, they seemed to shrink from it as from a blast of lightning. His preparation for it was extremely affecting; his throwing away his crutch, kneeling on one knee, clasping his hands together, and lifting his eyes towards heaven, presented a picture worthy the pencil of a Raphael.
Page 262 - A play in which the wicked prosper, and the virtuous miscarry, may doubtless be good, because it is a just representation of the common events of human life ; but since all reasonable beings naturally love justice, I cannot easily be persuaded, that the observation of justice makes a play worse ; or, that if other excellences are equal, the audience will not always rise better pleased from the final triumph of persecuted virtue.
Page 279 - His pauses and broken interruptions of speech, of which he was extremely enamored, sometimes to a degree of impropriety, were at times too inartificially repeated ; nor did he give that terror to the whole which the great poet intended should predominate. THOMAS DAVIES : ' Dramatic Miscellanies,
Page 351 - ANT. Come on, my soldier! Our hearts and arms are still the same: I long Once more to meet our foes, that thou and I, Like Time and Death, marching before our troops, May taste fate to 'em; mow 'em out a passage, And, ent'ring where the foremost squadrons yield, Begin the noble harvest of the field.