Janson's History of Art: The Western Tradition
For courses in the History of Art.
Rewritten and reorganized, this new edition weaves together the most recent scholarship, the most current thinking in art history, and the most innovative online supplements, including digital art library. Experience the new Janson and re-experience the history of art.
Long established as the classic and seminal introduction to art of the Western world, the Eighth Edition of Janson's History of Art is groundbreaking. When Harry Abrams first published the History of Art in 1962, John F. Kennedy occupied the White House, and Andy Warhol was an emerging artist. Janson offered his readers a strong focus on Western art, an important consideration of technique and style, and a clear point of view. The History of Art, said Janson, was not just a stringing together of historically significant objects, but the writing of a story about their interconnections, a history of styles and of stylistic change. Janson's text focused on the visual and technical characteristics of the objects he discussed, often in extraordinarily eloquent language. Janson's History of Art helped to establish the canon of art history for many generations of scholars.
The new Eighth Edition, although revised to remain current with new discoveries and scholarship, continues to follow Janson's lead in important ways: It is limited to the Western tradition, with a chapter on Islamic art and its relationship to Western art. It keeps the focus of the discussion on the object, its manufacture, and its visual character. It considers the contribution of the artist as an important part of the analysis. This edition maintains an organization along the lines established by Janson, with separate chapters on the Northern European Renaissance, the Italian Renaissance, the High Renaissance, and Baroque art, with stylistic divisions for key periods of the modern era. Also embedded in this edition is the narrative of how art has changed over time in the cultures that Europe has claimed as its patrimony.
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THE CANoN Body proportions are also consistent enough in royal and elite
sculpture in the round and in relief and painting to suggest that artists relied on
guidelines for designing the human image. In fact, traces of such guidelines are
Although the earlier figures are in an upright position—instead of reclining, sitting
, kneeling, or running—their stance is really an arrested walk, with the body's
weight resting evenly on both legs. This pose is nonnaturalistic and rigid.
If every body is inseparably followed by its own shadow, and no one in his right
mind could say that a body is shadowless, but rather we can see in the body the
shadow which follows, and in the shadow the body which precedes: thus no one
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A Beautiful BookUser Review - cspecialtime - Overstock.com
I love this edition of Jansons book! The quality of the book itself binding paper print and illustrations are what a book dedicated to beauty should be. Read full review
Tombs and Rituals
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