The Works of John Ruskin: Modern painters, v.1-5J. Wiley, 1889 |
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Page xiii
... pure ...... 220 § 16. Ideal form of the body itself , of what variety susceptible ... 221 § 17. Anatomical development how far admissible . § 18. Symmetry . How valuable ..... 19. The influence of Greek art , how dangerous ... $ 20 ...
... pure ...... 220 § 16. Ideal form of the body itself , of what variety susceptible ... 221 § 17. Anatomical development how far admissible . § 18. Symmetry . How valuable ..... 19. The influence of Greek art , how dangerous ... $ 20 ...
Page 4
... pure and first sense of the word useful to us . Pre - eminently there- fore whatever sets the glory of God more brightly before us . But things that only help us to exist , are in a secondary and mean sense , useful , or rather , if ...
... pure and first sense of the word useful to us . Pre - eminently there- fore whatever sets the glory of God more brightly before us . But things that only help us to exist , are in a secondary and mean sense , useful , or rather , if ...
Page 16
... pure air , and the tenderness of its natural perfumes that come and go as they list . It will be understood why I formerly said in the chapter respecting ideas of beauty , that those ideas were the subject of 8. Ideas of heau- moral ...
... pure air , and the tenderness of its natural perfumes that come and go as they list . It will be understood why I formerly said in the chapter respecting ideas of beauty , that those ideas were the subject of 8. Ideas of heau- moral ...
Page 17
... pure , right , and open state of the heart , both for its truth and for its intensity , insomuch that even the right after action of the intellect upon facts of beauty so apprehended , is dependent on the acuteness of the heart feeling ...
... pure , right , and open state of the heart , both for its truth and for its intensity , insomuch that even the right after action of the intellect upon facts of beauty so apprehended , is dependent on the acuteness of the heart feeling ...
Page 18
... him forever , accord- ing to the written promise , -Blessed are the pure in heart , for they shall see God . * Plato , Phædrus , § 9 . CHAPTER III . OF ACCURACY AND INACCURACY IN IMPRESSIONS OF 18 [ PART IIL OF THE THEORETIC FACULTY .
... him forever , accord- ing to the written promise , -Blessed are the pure in heart , for they shall see God . * Plato , Phædrus , § 9 . CHAPTER III . OF ACCURACY AND INACCURACY IN IMPRESSIONS OF 18 [ PART IIL OF THE THEORETIC FACULTY .
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Common terms and phrases
Adamite agreeable Albert Durer Angelico angels animals appearance artist Benozzo Gozzoli bodily body Brera Gallery Chap character Charles Bell Christ clouds color conceive conception Correggio creature degree delight desire dignity Divine Doge's palace effect especially evident evil expression fancy farther fear feeling Fra Angelico function Gentile Bellini Giorgione Giotto glory gradation hand heart heaven human ideal imagination imperfection impressions infinite instance intellect kind landscape Laocoon less light lines look lower Masaccio matter means Michael Angelo mind Mino da Fiesole modes moral mountains nature necessary ness never noble object observed operation painful painter painting passion perception perfect Perugino picture Pitti palace pleasure present proportion pure purity Raffaelle reader received repose respecting rightly seen sense sensual signs spect spirit sublime suppose theoretic faculty things thought Tintoret tion Titian trees trunk truth ture typical beauty unity
Popular passages
Page 91 - One lesson, shepherd, let us two divide, Taught both by what she shows, and what conceals • Never to blend our pleasure or our pride With sorrow of the meanest thing that feels.
Page 39 - From God who is our home. Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
Page 278 - Oh, what a tangled web we weave, When first we practise to deceive...
Page 167 - Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
Page 145 - And missing thee, I walk unseen On the dry smooth-shaven Green, To behold the wandering Moon, Riding near her highest noon, Like one that had been led astray Through the Heaven's wide pathless way; And oft, as if her head she bowed, Stooping through a fleecy cloud.
Page 84 - That which doth assign unto each thing the kind, that which doth moderate the force and power, that which doth appoint the form and measure, of working, the same we term a law.
Page 197 - In heaven above thee! Yet like a star, with glittering crest, Self-poised in air thou seems't to rest; — May peace come never to his nest, Who shall reprove thee!
Page 168 - O Proserpina, For the flowers now that frighted thou let'st fall From Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Page 169 - Who is she that looketh forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners?
Page 52 - Simon Peter saith unto them, I go a fishing. They say unto him, We also go with thee. They went forth, and entered into a ship immediately; and that night they caught nothing.