Poetaster, Issues 27-28 |
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Page xi
... PERSONS THAT | ACT . | On this page also is Ad Lectorem [ Martial , Epigr . 7. 12.9-12 ] 3 . On A2 recto is LIVOR , with the speech of Envie appearing in folio 1616 , concluded verso . A3 recto , PROLOGVS ; verso , act I begins . N ...
... PERSONS THAT | ACT . | On this page also is Ad Lectorem [ Martial , Epigr . 7. 12.9-12 ] 3 . On A2 recto is LIVOR , with the speech of Envie appearing in folio 1616 , concluded verso . A3 recto , PROLOGVS ; verso , act I begins . N ...
Page xiii
... Persons of the Play . On 26 recto , p . 275 , the speech of ENVIE begins . On 348 , verso of [ Ff6 ] , the play proper is concluded and we have the address To THE READER , followed by the beginning of the Apologetical Dialogue , which ...
... Persons of the Play . On 26 recto , p . 275 , the speech of ENVIE begins . On 348 , verso of [ Ff6 ] , the play proper is concluded and we have the address To THE READER , followed by the beginning of the Apologetical Dialogue , which ...
Page xv
... Persons of the Play , as in folio 1616 ; THE SCENE . | ROME . | and The prin- cipal Comoedians . The text of the play proper begins Y recto , p . 241 , and ends Dd3 verso , p . 306 , where begins the Apologetical Dialogue , which ends ...
... Persons of the Play , as in folio 1616 ; THE SCENE . | ROME . | and The prin- cipal Comoedians . The text of the play proper begins Y recto , p . 241 , and ends Dd3 verso , p . 306 , where begins the Apologetical Dialogue , which ends ...
Page xvii
... PERSONS of the PLAY , as in folio 1616 ; The SCENE ROME , and The Principal COMODIANS . O recto , p . 97 , the text of the play begins ; it ends R verso , p . 122 , where we find TO THE READER and the begin- ning of the apologetical ...
... PERSONS of the PLAY , as in folio 1616 ; The SCENE ROME , and The Principal COMODIANS . O recto , p . 97 , the text of the play begins ; it ends R verso , p . 122 , where we find TO THE READER and the begin- ning of the apologetical ...
Page xxv
... person of Antonio Bal- ladino ; but we have no references in that play to Marston or Dekker . Antonio and Mellida , which Marston wrote , and Histriomastix , which he revised , did not appear until the latter part of 1599. Fleay asserts ...
... person of Antonio Bal- ladino ; but we have no references in that play to Marston or Dekker . Antonio and Mellida , which Marston wrote , and Histriomastix , which he revised , did not appear until the latter part of 1599. Fleay asserts ...
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Common terms and phrases
actors Aesop ALBI Albius allusion Anaides appears Arch Ben Jonson beſt CAES CAESAR Captaine Chapman CHLO CHLOE CRIS Crispinus Cynthia's Revels CYTH CYTHERIS Dekker Demetrius drachme edition euery felfe fhall flaue Fleay folio fome foule fuch fweet GALL Gallus GALLVS gentleman Gifford giue hath haue Hedon HERMOGENES HIST Histrio Histriomastix HORA Horace Humour I'le IVLI IVPITER John Marston Jonson ladie leaue Lictors lines liue London loue Lupus LVPV Marston maſter MINOS moſt muſt neuer OVID passage passim play players poet Poetaster Pray Pyrgus quarto Roman Samuel Daniel satire Satiromastix says scene seems Shakespeare ſhall ſhould Spanish Tragedy ſpeake ſpirit stage Stage-Quarrel theatre thee theſe thou Tibullus TIBV TIBVLLVS translation Tucca Tvcc verso VIRG Virgil vpon Whalley wife word ΙΟ