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SIMPSON, RICHARD. The School of Shakspeare. 2 vols. London, 1878. The Political Use of the Stage in Shakspere's Time.

Trans. of New Shaksp. Soc. 1874.

SMALL, R. A. The Stage-Quarrel between Ben Jonson and the So-called Poetasters. Breslau, 1899.

STOW, JOHN. A Survey of London. 1598. London, 1842.

The Annals of England. London, 1592.

STUBBES, PHILIP. The Anatomie of Abuses. 1585. ed. Turnbull. London, 1836.

SWINBURNE, A. G. A Study of Ben Jonson. New York, 1889.

SYMONDS, J. A. Life of Ben Jonson. English Worthies Series. New York, 1886.

TAYLOR, JOHN. (The Water Poet). Works. ed. 1633.

THORNBURY, G. W. Shakspere's England. 2 vols. 1856.

TIMON (the University play). ed. Dyce. Shaksp. Soc. Pub.

1842.

TRAILL, H. D. Social England, a Record of the Progress of the People. New York, 1894-5.

TYRRELL, R. Y. Latin Poetry. Boston, 1895.

VAN DAM, B. A. P., and STOFFEL, CORNELIS. The Authority of the Ben
Jonson Folio of 1616. Anglia, New Series XIV. June, 1903.
WARD, A. W. A History of English Dramatic Literature to the Death
of Queen Anne. 3 vols. London, 1899.

WHEATLEY, H. B., & Cunningham, P. London Past and Present. 3 vols.
London, 1891.

WOODBRIDGE, ELISABETH. Studies in Jonson's Comedy. Boston, 1898.

INDEX

Actors, chastising of, 221.
Admiral's Company, lviii-ix, lxxvi;
an inventory of, 143.
Aeneid, as read by Virgil, 218.
Aesop, xl, lvii-viii, 198, 221.
Agrippa, 152.

Ajax in Troilus and Cressida, xci.
Albius, vii, xl-i.
Alexandrian
lxxxvii-viii.
Anaides, xxvii-viii, xliii seq., 1, liii,
226, 227.

school of poets,

Antonio and Mellida, Marston's,
xxv, xlvi, 144, 164, 167-8, 169,
195, 224 ff.

Apologetical Dialogue, xxiii, 235.
Archilochus, 237.

Aristius Fuscus, xli, 176–7.
Aristophanes, v, xxxv-vi, 219, 239.
Armed prologue, 144.
Arraignment, The, 141.
Asper, Ixi seq.

Audiences in Elizabethan theatres,
189-190.

Augustus Caesar, xxxiv, xli.

Balcony of Elizabethan stage, 216.
Balladino, Antonio, xxv.
Band for the neck, 222.
Banquet, the heavenly, xxxiv-v.
Barber, 181.

Bases, 171-2.

Battle of Alcazar, Peele's, 195, 196-7,
199, 201-2.

Bay-leaf to cause eloquence, 221.
Beagle, 191.

Bear-garden, 236.

Begging lands, 220.

Brooch, 152.

Buffone, Carlo, xliv, xlix-l, lii-iii.
Bullen, A. H., cited, xcviii-ix.
Buttery, players in the, 234.

Caesar's gardens, 173.
Calumniator, 233-4.
Cambyses, King, Preston's 191, 205.
Camden, William, 168, 173-4-
Carey, Elizabeth, lxxx-i.
Carlo Buffone, xliv, xlix-l, lii-iii.
Case is Altered, Jonson's, vi, xxv.
Catch-pole, 179.

Chamberlain's Company, xxvii, lviii-
ix.

Chapel Children, xxvii, 137 ff.
Chapman, George, as a translator,
XXXV; alleged to be the Virgil
of Poetaster, lxxxiv-v; xci seq.;
his style, xcii; his learning, xcii;
probably not Virgil, xcv; 167-8.
Chester, Charles, liii.

Children's Companies, xxix, 201.
Children of the Chapel, xxvii, 137 ff.
Children of Paul's, 138.
Chloe, xli, 158.

Chrysogonus, xxv-vi.

Circles used by magicians, 216.
Cittie Wife, xli.

Clifton, Thomas, 138.

Coach, 163.

Commission, take up by, 172.
Commissions for concealments, 220.
'Compliment,' 219.

Conversations

with

Drummond,

Jonson's, xxv, lxxx, xciii, 154,
164, 215, 223, 238.

Copper-lace, 190.

Blind Beggar of Alexandria, Chap- Corinna, mistress of Ovid, Ixix-

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lxx, 156.
Cornutus, xli.

Corsets, 205.

ridiculed in Coryat, Thomas, 140, 157-8.

Poetaster, 59-60, 63.
Boy-actors, wages of, 197.
Brabant senior, 225, xxvi-vii.
Brisk, Fastidious, xliv-v, li.
Broker, 165-6.

Crispinus, Rufus Laberius, xli seq.;
described, xlii-iii; identified with
John Marston, xliii seq.; his
style, xlvi; lx; 137; his person,
161, 164; his arms, 161-2; 169;

171; 172; 177; his vocabulary, Farthingale, 160.

228-9.

Crites, lxi seq.

Criticus, lxi.

Custard, quaking, 232.

Cynthia's Revels, Jonson's, xxix-
xxx, xliv-v, 1, lxi seq., 145.
Cytheris, xlviii.

as

Daniel, John, lv-vi, lxxx.
Daniel, Samuel, xxiv, lv-vi, lxxx.
Darius, Wm. Alexander's, 192-3.
Darius, King, 191–3.
Davies, Thomas, lxxv-vi.
Day, Thomas, 240.
Dekker, Thomas, xxvii-viii;
Demetrius in Poetaster, xlviii
seq.; verses ascribed to him in
Poetaster, 116; his rapidity of
literary production, 142; his pov-
erty, 199-200; 200-1; 212; 226.
Delia, lxxiv, lxxxi.
Delia, Samuel Daniel's, lxxxi.
Deliro, xli.

Demetrius Fannius, identified with
Thomas Dekker, xlviii seq.; de-
scribed, xlix; his relation to
Anaides of Cynthia's Revels, 1
seq.; 142; 185; his poverty,
199-200; 212; 226.
Discoveries, Jonson's, xc.
Donne, John, lxx seq.
Drachma, 152.

Dryden on Jonson's love scenes, 216.
Dyce, Alexander, cited, xcviii, c.

Eastward Ho, by Jonson, Chapman,
and Marston, xciv-v, 196.
Elegiac poets, Roman, 149, 164.
Enghle, 166–7.

English Grammar, Jonson's, 145,
161, 210.

Envy as prologue, 141.

Fastidious Brisk, xliv-v, li.
Fellow-sharer, 195.
Ferret, 182.

Field, Nathaniel, 138, 193, 239–240.
Fight-an emendation, 205.
Flat-cap, 162-3.
Flaying, 205.

Fleay, F. G., cited, xlix-l, lii, lv seq.,
lxiii, lxv seq., lxx, lxxvi seq.,
lxxx-i, lxxxiii, xcviii.

Folio of 1616, xii seq., xviii seq.
Folio of 1640, xiv-v, xx.

Folio of 1692, xv-vi, xxi.
Forsooth, 207-8.

Fortune Theatre, lviii seq., lxxvi-
vii, 182-3.

Frisker, lxxvii seq.
Frogs, Aristophanes', xxxv-vi, 219.

Gallo-belgick, 233.

Gallus, C. Cornelius, liii-iv; as
provost of Egypt, 218.
Garland, poet's, 166.
Gentleman usher, 213.
Georgics, Virgil's, lxxxvi.
Ghosts in plays, 193 ff.
Gifford, William, his edition of
Jonson, xxi-ii; xxxv; xl; xlvii;
on Jonson's relations with Shake-
speare, lxxv; on identification of
Virgil, lxxxiv; on the Poetaster
translation of Ovid, Eleg. 1. 15,
xcvi seq.

Globe Theatre, lviii seq. 190-1.
Good year, 183-4.
Goose-fair, 185.

Grosart, A. B., lxvii, lxxii-iii.
Gull's Hornbook, Dekker's, 164,
177.

Gyles, Thomas, 138.

Halberd, 212.

Epigram, Unto true Soldiers, in Half-pike, 212.

Poetaster, 131-2.

Eryngo, 180.

Eulenspiegel, 185.

Every Man in his Humour, Jon-
son's, Ixiii, lxxvii, lxxxix.
Every Man out of his Humour,
Jonson's, lxii-iii, lxxxix, 173.
Every Woman in her Humour, xli.

Fallace, xli.
Fan, 207.

Hangers, 181.

Hannam, Captain, lxxxiii-iv.
Hares' eyes, 184.
Hat, 177-8.

'Hay in his horn,' 210.
Head-dress, 170-1.

Hedon, xxvii-viii, xliii seq., 1, liii.
Hellebore, 227.

Henbane in the ears, 216.
Henry V and Henry VI, lxxxix.
Henslowe, Philip, alleged to be the

Histrio of Poetaster, lviii; lx-i; | Lawyers, 151.

202-3; 240.

Henslowe's Diary, 1, 1xxviii,

186, 190, 199.

Hermogenes, liv seq., 165.
Hesiod, 145-6.

143,

Hieronimo of the Spanish Tragedy,
Jonson in the role of, 178-9, 185.
Hired men, wages of, 198.
Histrio, lvi seq., lx, 202-3.
Histriomastix (revised by Mars-
ton), xxv-vi, lx-i, lxxvi, 187, 198,
199.

Histriones, 147, 221.
Hobby-horse, 159.
Hood, 160.

Horace of Poetaster, described, lxi;
identified with Jonson, Ixi seq.;
presented again in Satiromastix,
liii-iv, 167; defended in Poetas-
ter, 117-8; 214.

Horace, Sat. 1. 9, xxxi-ii, 40-50;
Sat. 2. 1, xxxii-iii, 65-9; 167;
168; 169; 214.

Hostia, mistress of Propertius,
lxxix.

Hungry, Captain, 237.

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Jack Drum's Entertainment, Mars-
ton's, xxvi-vii, 224 ff.
Jonson, Ben, his classicism, v-vi;
his attitude toward his own time,
vi-vii; 'given to venerie,' xXV;
his translating, xxxv, ci seq.; his
satire of individuals, xxxviii seq.;
his arms, 162; his fortune, 154,
168; his son, 173-4; his friends,
175; as an actor, 178-9, 185; his
Humour plays, 188; his defense
of himself in Poetaster, 210–1;
as a man of the sword, 214-5;
his love-scenes, 216-7; his duel,
222; his appearance, 239;
'Ode to Himself,' 239.
Julia, Ixiv, lxix seq., lxxii seq., 240.

Kemp, William, 1xxvii seq., 199.

Lampatho, liii, 169.
Law, the, 151.

his

Lectica, 150.

Lee, Sidney, cited, lxxxiv, 144, 157,
187.

Lexiphanes, Lucian's, xxxvi-vii, 231.
Lictor, lxiv-v.
Lingua, 239.
Locrine, 194.

Lopez, Roderigo, lxvii.
Lotium, 179.

Love's Martyr, Chester's, xxviii.
Lownes, Matthew, 139.
Lucian, his Lexiphanes, xxxvi-vii,
231.
Lupus, lxv seq.
Luscus, lxviii.

Macilente, lxii-iii.
Maecenas, lxviii.
Magicians' circles, 216.
Malcontent, Marston's, xxviii, 164.
Mango, 199.

Marlowe, his translation of Ovid,
Eleg. 1. 15, xcvi seq., c-ci; his
version of Ovid's Elegies, xcvi

seq.

Marston, John, senior, xlvi; his
will, 147.

or

Marston, John, his stage-quarrel
with Jonson, xxiii seq.; satirized
by Jonson as Crispinus, xliii seq.;
how far represented by Carlo
Buffone, Fastidious Brisk,
Hedon, xliii seq., xlix seq.; his
gentility, xlv-vii, 169, 175, 186;
his style, xlvi seq.; his grossness,
xlvii; lx; his failure to take up
law, lxxii-iii; verses ascribed to
him as Crispinus, 115-6; called
Poetaster, 137; his personal pecu-
liarities satirized in Poetaster,
161, 164; his arms, 162; his
education, 168; his vocabulary,
223 ff., 228-9, 231-2.
Marstonian words, 228-9, 231-2.
Martial, Epigr. 1. 57, paraphrased in
Poetaster, 37-8.

Martin, Richard, 139 ff.
Marton, Thomas, 240.
Masks, worn by men acting women's
parts, 157; worn by women in
public, 207.

Master of the Revels, 240-1.
Medea, Ovid's, lxx, 147-8.

Mercurius Gallo-Belgicus, 233.
Mercury in cosmetics, 211.

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O circumflex, 229.
Ostler, William, 240.
Othello, xciv-v.

Ovid's Banquet of Sense, Chap-
man's, xcii note, 213.
Ovid, Eleg. 1. 15, translated in
Poetaster, 14-5; authorship of
this translation discussed, xcvi
seq.

Ovid, Marcus, lxviii.

Ovid, Publius, his life, lxviii-ix;
his relations with the daughter and
the granddaughter of Augustus,
Ixix; his banishment, lxix-lxx;
described in Poetaster, lxix-lxx;
alleged to represent John Donne,
lxx seq.; points of similarity in
his life and John Marston's,
lxxii-iii; alleged to represent
Shakespeare, lxxiii; the Poetaster
translation of his Eleg. 1. 15, xcvi
seq., 14-5, 145 ff.; his lineage,
145; his Medea, 147-8; his birth-
place, 154; as a lawyer, 156.
Owleglas, .185.

Page of Plymouth, 1.

Pantalabus, lv, 186.

Panthers, described by Pliny, 214.
Paradise Lost, 141.

Passionate Pilgrim, xcix-c.

Paul's, the Children of, lxxvi, 138.

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Players,

satirized

in

Poetaster,

lxxiv seq., 61-2; patrons of, 203.
Plays, prices paid for, 187.
Pliny cited, 176, 180, 214, 227, 237.
Pod, Captain, lxxxiii.

Poetaster, Marston as the, 137.
Poetaster, its purpose and general
character, vii; date of its com-
position, xxviii seq.; its literary
sources, xxx seq.; discussion of
its characters, xxxviii seq.; origi-
nally called The Arraignment,
141; time taken to compose, 142;
its scene of action, 142-3.
Politician players, xl, 198-9.
Polyposus, lxviii, lxxix.
Posthaste, xxvi, lx-i.

Privy Council, its regulation of
playhouses, 188-9.
Prologue, 144.

Prologue armed, 144.
Propertius, S. Aurelius, lxxix, 150.
Puckfist, 215.
Puff-wings, 206.
Puppet-show, 199.
Pyrgus, lxxix, 178.
Pythagoreans, their silence, 211.

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