School elocution : or The young academical oratorLetts, 1853 - 192 pages |
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Page xii
... body in a graceful posture , and use the arms without the appearance of awkwardness and absurdity , is all that is required . PART FOUR , contains a short selection of full pieces , and to which portion of the work such a collection ...
... body in a graceful posture , and use the arms without the appearance of awkwardness and absurdity , is all that is required . PART FOUR , contains a short selection of full pieces , and to which portion of the work such a collection ...
Page 6
... body nature is , and God the soul . What advantageth it a man if he gain the whole world , and loseth his own soul ? and again , what shall a man give in exchange for his soul ? KNOW YE ME NOT ? ye knew me once no mate For you , there ...
... body nature is , and God the soul . What advantageth it a man if he gain the whole world , and loseth his own soul ? and again , what shall a man give in exchange for his soul ? KNOW YE ME NOT ? ye knew me once no mate For you , there ...
Page 44
... body ' , ( says the author and finisher of our faith , ) but who are not able to kill the soul . NOTE . The end of a parenthesis must have the falling inflection , when it ter- minates with an emphatical word . EXAMPLE . If ye were all ...
... body ' , ( says the author and finisher of our faith , ) but who are not able to kill the soul . NOTE . The end of a parenthesis must have the falling inflection , when it ter- minates with an emphatical word . EXAMPLE . If ye were all ...
Page 59
... body , be strained to their utmost pitch ; and let the sides , chest , and lungs , have free and vigorous play . Practice the utterance of tones in low keys . These can be made much stronger than in high ones ; because by de- pressing ...
... body , be strained to their utmost pitch ; and let the sides , chest , and lungs , have free and vigorous play . Practice the utterance of tones in low keys . These can be made much stronger than in high ones ; because by de- pressing ...
Page 71
... body and limbs , without the exertion of any one muscle . The countenance open , the forehead smooth ; the eyebrows arched , the mouth just not shut ; and the eyes passing with an easy motion from object to object , but not dwelling ...
... body and limbs , without the exertion of any one muscle . The countenance open , the forehead smooth ; the eyebrows arched , the mouth just not shut ; and the eyes passing with an easy motion from object to object , but not dwelling ...
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School Elocution: Or, the Young Academical Orator. - Scholar's Choice Edition William Herbert, MD No preview available - 2015 |
Common terms and phrases
9th vowel accent arms art thou articulation aspirate beauty bird-lime blood brave breath Cæsar circumflex crown dead death Ditto doth dread drum earth emphasis emphatic EXAMPLE expressed eyes fair falling inflection fashionable songs fear fool force give grace grave grief Half Vowel Sound hand happy hate hath head hear heart heaven honor Iago kind king Lessons live look lord melancholy Members mercy mind Morocco motley fool mute nature never night noble o'er OTHELLO passages passion pause pleasure poison'd pronounced pronunciation pupil Quarto require the rising revenge RICHARD III rising inflection Rule Russia sense sentence shadow's bliss shew SHYLOCK sleep smiles soft solemn soul sound is marked speak speech spirit sweet syllables thee thing thou art thought thunder tone of voice tongue uttered vocal week wind words Xenarchus youth