Keat's Craftsmanship: A Study in Poetic Development |
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Agnes alliteration altered appears attempt beauty becomes beginning changed clear close comes complete copy corrected couplet critics dark deleted doubt draft dream earlier effect Endymion Eve of St evidence examination eyes fair feel final follows four give going half hand head heart Hyperion imagination interesting Isabella Keats kind Lamia later least leaves less letter light look material MICHIGAN Miltonic mind naturally never night notes once opening original pain passage perhaps phrase picture poem poetry Porphyro probably reason rest rhyme says second draft seems sense sleep soft sonnet sound stage stand stanza starts suggested suppose surely sweet tell thee thing third thou thought touch transcript turn wants whole Woodhouse worth writing written wrote