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In less illustrious bards his beauty shone
A meteor, or a star; in these, the sun.
The nightingale may claim the topmost bough,
While the poor grasshopper must chirp below.
Like him unnoticed, I, and such as I,
Spread little wings, and rather skip than fly;
Perch'd on the meagre produce of the land,
An ell or two of prospect we command;
But never peep beyond the thorny bound,
Or oaken fence, that hems the paddock round.
In Eden, ere yet innocence of heart
Had faded, poetry was not an art;
Language, above all teaching, or if taught,
Only by gratitude and glowing thought,
Elegant as simplicity, and warm
As ecstacy, unmanacled by form,
Not prompted, as in our degenerate days,
By low ambition and the thirst of praise,
as natural as is the flowing stream,
And yet magnificent—a God the theme !
That theme on earth exhausted, though above
'Tis found as everlasting as his love,
Man lavish'd all his thoughts on human things—
The feats of heroes and the wrath of kings;
But still, while virtue kindled his delight,
The song was moral, and so far was right.
'Twas thus till luxury seduced the mind
To joys less innocent, as less refined;
Then Genius danced a bacchanal; he crown'd
The brimming goblet, seized the thyrsus, bound
His brows with ivy, rush'd into the field
Of wild imagination, and there reel'd,
The victim of his own lascivious fires,
And, dizzy with delight, profaned the sacred wires:
Anacreon, Horace, play'd in Greece and Rome
This bedlam part; and others nearer home.
When Cromwell fought for power, and while he reign'd
The proud protector of the power he gain'd,
Religion, harsh, intolerant, austere,
Parent of manners like herself severe,
Drew a rough . of the Christian face,
Without the smile, the sweetness, or the grace;
The dark and suién humour of the time
Judged every effort of the muse a crime;
Verse, in the finest mould of fancy cast,
Was lumber in an age so void of taste.
But when the second Charles assumed the sway,
And arts revived beneath a softer day,
Then, like a bow long forced into a curve,
The mind, released from too constrain’d a nerve,
Flew to its first position with a spring,
That made the vaulted roofs of pleasure ring.
His court, the dissolute and hateful school
Of wantonness, where vice was taught by rule,

Swarm'd with a scribbling herd, as deep inlaid
With brutal lust as ever Circe made.
From these a long succession, in the rage
Of rank obscenity, debauch'd their age:
Nor ceased till, ever anxious to redress
The abuses of her sacred charge, the press,
The Muse instructed a well-nurtured train
Of abler votaries to cleanse the stain,
And claim the § for purity of song,
That lewdness had usurp'd and worn so long.
Then decent pleasantry and sterling sense,
That neither gave nor would endure offence,
Whipp'd out of sight, with satire just and keem,
The puppy pack that had defiled the scene.
In front of these came Addison. In him
Humour in holiday and sightly trim,
Sublimity and Attic taste combined,
To polish, furnish, and delight the mind.
Then Pope, as harmony itself exact,
In verse well-disciplined, complete, compact,
Gave virtue and morality a grace,
That, quite eclipsing pleasure's painted face,
Levied a tax of wonder and applause,
E'en on the fools that i.fon their laws.
But he (his musical finesse was such,
So nice his ear, so delicate his touch)
Made poetry a mere mechanic art;
And every warbler has his tune by heart.
Nature imparting her satiric gift,
Her serious mirth, to Arbuthnot and Swift,
With droll sobriety they raised a smile
At folly's cost, themselves unmoved the while.
That constellation set, the world in vain
Must hope to look upon their like again.
A. Are we then left —B. Not wholly in the dark
Wit now and then, struck smartly, shews a spark,
Sufficient to redeem the modern race
From total night and absolute disgrace.
While servile trick and imitative knack
Confine the million in the beaten track,
Perhaps some courser, who disdains the road,
Snuffs up the wind, and flings himself abroad.
Contemporaries all surpass'd, see one;
Short his career indeed, but ably run;
Churchill, himself unconscious of his powers,
In penury consumed his idle hours;
And, like a scatter'd seed at random sown,
Was left to spring by vigour of his own.
Lifted at length, by dignity of thought
And dint of genius, to an affluent lot,
He laid his head in luxury's soft lap,
And took, too often, there his easy nap.
If brighter beams than aii he threw not forth,
'Twas negligence in him, not want of worth.

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Surly and slovenly, and bold and coarse,
Too proud for art, and trusting in mere force,
Spendthrift alike of money and of wit,
Always at speed, and never drawing bit,
He struck the lyre in such a careless mood,
And so disdain'd the rules he understood,
The laurel seem'd to wait on his command:
He snatch'd it rudely from the muses' hand.
Nature, exerting an unwearied power,
Forms, opens, and gives scent to every flower;
Spreads the fresh verdure of the field, and leads
i. dancing Naiads through the dewy meads;
She fills profuse ten thousand little throats
With music, modulating all their notes;
And charms the woodland scenes and wilds unknown,
With artless airs and concerts of her own;
But seldom (as if fearful of expense)
Wouchsafes to man a poet's just pretence—
Fervency, freedom, fluency of thought,
Harmony, strength, words exquisitely o
Fancy, that from the bow that spans the sky
Brings colours, dipp'd in heaven, that never die;
A soul exalted above earth, a mind
Skill'd in the characters that form mankind;
And, as the sun, in rising beauty dress'd,
Looks to the westward from the dappled east,
And marks, whatever clouds may interpose,
Ere yet his race begins, its glorious close;
An eye like his to catch the distant goal;
Or, ere the wheels of verse begin to roll,
Like his to shed illuminating rays
On every scene and subject it surveys;
Thus , the man asserts a poet's name,
And the world cheerfully admits the claim.
Pity Religion has so seldom found
A skilful guide into poetic ground!
The flowers would spring where'er she deign'd to stray,
And every muse attend her in her way.
Wirtue indeed meets many a rhyming friend,
And many a compliment politely penn'd;
But, unattired in that becoming vest
Religion weaves for her, and half undress'd,
Stands in the desert shivering and forlorn,
wintry figure, like a wither'd thorn.
The shelves are full, all other themes are sped;
Hackney'd and worn to the last flimsy thread,
Satire has long since done his best; and curst
And loathsome ribaldry has done his worst;
Fancy has sported all her powers awa
In tales, in trifles, and in children's play;
And 'tis the sad complaint, and almost true,
Whate'er we write, we bring forth nothing new.
'Twere new indeed to see a bard all fire,
Touch'd with a coal from heaven, assume the lyre,

And tell the world, still kindling as he sung, A
With more than mortal music on his tongue,
That He, who died below, and reigns above,
Inspires the song, and that his name is Love.
or, after all, if merely to beguile,
By flowing numbers and a flowery style,
#. tedium that the lazy rich endure,
Which now and then sweet poetry may cure;
Or, if to see the name of idol self,
Stamp'd on the well-bound quarto, grace the shelf,
To float a bubble on the breath of fame,
Prompt his endeavour and .#. his aim,
Debased to servile p ses of pride,
How are the powers of genius misapplied 1
The gift, whose office is the Giver's praise,
To trace him in his word, his works, his ways!
Then spread the rich discovery, and invite
Mankind to share in the divine delight:
Distorted from its use and just design,
To make the pitiful possessor shine,
To purchase at the fool-frequented fair
Of vanity a wreath for self to wear,
Is profanation of the basest kind—
Proof of a trifling and a worthless mind.
A. Hail, Sternhold, then land, Hopkins, hail!—

B. Amen.

If flattery, folly, lust, employ the pen;
If acrimony, slander, and abuse,
Give it a charge to blacken and traduce;
Though Butler's wit, Pope's numbers, Prior's ease,
With all that fancy can invent to please,
Adorn the operiods as they fall,
One madrigal of theirs is worth them all.

A. 'Twould thin the ranks of the poetic tribe,
To dash the pen through all that you proscribe.

B. No matter—we could shift when they were not t And should, no doubt, if they were all forgot.

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THE PROGRESS OF ERROR.

siquid loquarauliendam.—Hon. Lib. 17.03.2

Sing, muse (if such a theme, so dark, so long,
Mayfind a muse to grace it with a song),
#. what unseen and unsuspected arts
The serpent Error twines round human hearts;
Tell where she lurks, beneath what flowery shades,
That not a 3. of genuine light pervades,
The poisonous, black, insinuating worm
Successfully conceals her loathsome form.
Take, if ye can, ye careless and supine,
Counsel and caution from a voice like mine !
Truths, that the theorist could never reach,
And observation taught me, I would teach.
Not all, whose eloquence the fancy fills,
Musical as the chime of tinkling rills,
Weak to perform, though mighty to pretend,
Can trace her mazy windings to their end;
Discern the fraud beneath the specious lure,
Prevent the danger, or prescribe the cure.
The clear harangue, and cold as it is clear,
Falls soporific on the listless ear;
Like quicksilver, the rhetoric they display
Shines as it runs, but, grasp'd at, slips away.
Placed for his trial on this bustling stage,
From thoughtless youth to ruminating age.
Free in his will to choose or to refuse,
Man may §: the crisis, or abuse;
Else, on the fatalist's unrighteous plan,
Say, to what bar amenable were man? -
With nought in charge he could betray no truate
And, if he fell, would fall because he must;
If love reward him, or if vengeance strike,
His recompence in both unjust alike.
Divine authority within his breast
Brings every thought, word, action, to the test;
Warns him or prompts, o: him or restrains,
As reason, or as passion, takes the reins.
Heaven from above, and conscience from within,

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