The Life and Works of Goethe: with Sketches of His Age and Contemporaries, Volume 1Ticknor and Fields, 1856 - 593 pages |
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Page xvii
... Greek and Christian Art . Legend of Tannhäuser and Legend of Phryne . Nature deified by the Greek , and diabolized by the Christian .. Contrast be- tween early Greek and early Christian art . Realism the domi- nant characteristic of the ...
... Greek and Christian Art . Legend of Tannhäuser and Legend of Phryne . Nature deified by the Greek , and diabolized by the Christian .. Contrast be- tween early Greek and early Christian art . Realism the domi- nant characteristic of the ...
Page 18
... Greek and Latin rudiments ; Goldsmith was delighting the Tony Lumpkins of his district , and the ' wandering bear - leaders of genteeler sort , ' with his talents , and enjoying that careless idleness of fireside . and easy chair ...
... Greek and Latin rudiments ; Goldsmith was delighting the Tony Lumpkins of his district , and the ' wandering bear - leaders of genteeler sort , ' with his talents , and enjoying that careless idleness of fireside . and easy chair ...
Page 19
... of the Classic and the German the one lying nearest to him , in homely intimacy , the other lying outside , as a mere scene he was to contemplate . Goethe was more Greek than German , but he never freed 1749. ] 19 THE PRECOCIOUS CHILD .
... of the Classic and the German the one lying nearest to him , in homely intimacy , the other lying outside , as a mere scene he was to contemplate . Goethe was more Greek than German , but he never freed 1749. ] 19 THE PRECOCIOUS CHILD .
Page 20
George Henry Lewes. was more Greek than German , but he never freed himself from German influence . Thus much on Time and Place , the two great environ- ments of life . Before quitting such generalities for the details of biography , it ...
George Henry Lewes. was more Greek than German , but he never freed himself from German influence . Thus much on Time and Place , the two great environ- ments of life . Before quitting such generalities for the details of biography , it ...
Page 25
... Greek was remarkable , as may be seen from the sample given elsewhere . * Italian he learned by listening to his father while teaching Cornelia . He pretended to be occu- pied with his own lesson , and caught up all that was said ...
... Greek was remarkable , as may be seen from the sample given elsewhere . * Italian he learned by listening to his father while teaching Cornelia . He pretended to be occu- pied with his own lesson , and caught up all that was said ...
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Common terms and phrases
acquaintance admiration Amalia artist Autobiography Beaumarchais beauty called character charming Christian Clavigo confess Corona Schröter court critical dear delight drama Duchess Duke eyes father feel felt Frankfurt Frederika French friendship genius German give Goethe Goethe's Götz von Berlichingen Greek hand happy heart Herder Idealism imagination imitation influence Jena Jerusalem Julius Cæsar jungen Karl August Kestner Klettenberg Klopstock Lavater Leipsic less letter literature live look Lottchen Lotte lover Merck mind moral mother nature never night noble once passion play poem poet poetic poetry princes reader says scene Schiller seems sentimental servant Shakespeare sister song soul speak Spinoza spirit story Strasburg Sturm und Drang table d'hôte tendency thee things thou thought Tiefurt tion translation truth Weimar Weislingen Werther Wetzlar Weyland Wieland wife Wolfgang woman word writes wrote young youth
Popular passages
Page 299 - To suffer woes which hope thinks infinite ; To forgive wrongs darker than death or night ; To defy power which seems omnipotent ; To love and bear ; to hope till hope creates From its own wreck the thing it contemplates...
Page 67 - Lucili ritu, nostrum melioris utroque. ,o ille velut fidis arcana sodalibus olim credebat libris, neque si male cesserat usquam decurrens alio, neque si bene: quo fit, ut omnis votiva pateat veluti descripta tabella vita senis.
Page 192 - Within its own creation, or in thine, Maternal Nature ! for who teems like thee, Thus on the banks of thy majestic Rhine? There Harold gazes on a work divine, A blending of all beauties; streams and dells, Fruit, foliage, crag, wood, cornfield, mountain, vine, And chiefless castles breathing stern farewells From gray but leafy walls, where Ruin greenly dwells.
Page 299 - To suffer woes which Hope thinks infinite ; To forgive wrongs darker than death or To defy Power, which seems omnipotent; To love, and bear; to .hope till Hope creates From its own wreck the thing it contemplates ; Neither to change, nor falter, nor repent ; This, like thy glory, Titan, is to be Good, great and joyous, beautiful and free; This is alone Life, Joy, Empire, and Victory.
Page 128 - For Hamlet, and the trifling of his favor, Hold it a fashion, and a toy in blood, A violet in the youth of primy nature, Forward, not permanent, sweet, not lasting, The perfume and suppliance of a minute ; No more.
Page 7 - Mütterchen die Frohnatur Und Lust zu fabulieren. Urahnherr war der 'Schönsten hold, Das spukt so hin und wieder; Urahnfrau liebte Schmuck und Gold, Das zuckt wohl durch die Glieder. Sind nun die Elemente nicht Aus dem Komplex zu trennen, Was ist denn an dem ganzen Wicht Original zu nennen?
Page 139 - They say, best men are moulded out of faults; And, for the most, become much more the better For being a little bad: so may my husband.
Page 230 - Numquamne legisti, Gaditanum quendam Titi Livi nomine gloriaque commotum ad visendum eum ab ultimo terrarum orbe venisse, statimque ut viderat abisse ? 'A<j>iXoKaXov inlitteratum iners ac paene etiam turpe est, non putare tanti cognitionem qua nulla est iucundior, nulla pulchrior, nulla denique humanior. Dices: 9 " Habeo hie quos legam non minus disertos.
Page 60 - The English student, clerk, or bachelor, who dines at an eating-house, chop-house, or hotel, goes there simply to get his dinner, and perhaps look at the Times.
Page 409 - This is not because the Hero is no Hero, but because the Valet is a Valet...