Selected Criticism, 1916-1957 |
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Page 78
... elements in the style of their great predecessors . For the impersonal element , which they might reasonably hope to acquire , they went chiefly to Spenser . The reason why their example was not followed in the nineteenth century was ...
... elements in the style of their great predecessors . For the impersonal element , which they might reasonably hope to acquire , they went chiefly to Spenser . The reason why their example was not followed in the nineteenth century was ...
Page 109
... element of beauty , in whatsoever things he has found it , or he may be saying that he has loved this element of beauty , and he has found it in all things . Even there the difference is important : but whichever of these ...
... element of beauty , in whatsoever things he has found it , or he may be saying that he has loved this element of beauty , and he has found it in all things . Even there the difference is important : but whichever of these ...
Page 268
... element of truth in Marxism without any vital surrender , but must even in some sort welcome it as a confirmation of its own insight and an enhancement of its spiritual strength . For Christianity alone can accept this truth without ...
... element of truth in Marxism without any vital surrender , but must even in some sort welcome it as a confirmation of its own insight and an enhancement of its spiritual strength . For Christianity alone can accept this truth without ...
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Common terms and phrases
accept achievement ęsthetic Aristotle artist attitude become believe called Christian Coleridge condition conscious creative criticism D. H. Lawrence Democracy divine dream Eliot Emily Brontė emotion English existence experience expression fact Falstaff feel genius Goethe Goethe's harmony Hazlitt heart human Hyperion idea ideal imagination individual instinctive intellectual intuition Keats Keats's kind King King Lear knowledge Lawrence Lawrence's less letter literary literature living Marxism means Merchant of Venice merely metaphor Milton mind modern Moličre moral Murry mystery nature necessary never passion perhaps philosopher poem poet poetic poetry principle of beauty prophetic prose Raskolnikov reality reason religion religious revealed Rousseau seems sense Shakespeare Shylock simple social social contract society soul Spenser Spinoza spirit Stendhal Svidrigailov T. S. Eliot Tchehov things thought tion to-day Tolstoy tragedy true truth unconscious understand universe vision Whitman whole word Wordsworth writing wrote