Selected Criticism, 1916-1957 |
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Page 56
... English criticism . Even Ķ myself— let me admit it freely - though I had been his intimate friend for many years , attacked him violently in the very article in which I declared that ' he was the outlaw of English literature , and the ...
... English criticism . Even Ķ myself— let me admit it freely - though I had been his intimate friend for many years , attacked him violently in the very article in which I declared that ' he was the outlaw of English literature , and the ...
Page 77
... English poetry ; he is the man who , by his learning , his passion , his exquisite sense of form and his delicate ear , was able to establish in the English tongue all that the English language would admit of the tunes and technique ...
... English poetry ; he is the man who , by his learning , his passion , his exquisite sense of form and his delicate ear , was able to establish in the English tongue all that the English language would admit of the tunes and technique ...
Page 80
... English poetry . That English poetry should be beautiful , subtle , and inexhaustibly capable : that the instrument should hence forward have the capacity of ' divine respondence meet ' : that the language and the forms of English verse ...
... English poetry . That English poetry should be beautiful , subtle , and inexhaustibly capable : that the instrument should hence forward have the capacity of ' divine respondence meet ' : that the language and the forms of English verse ...
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accept achievement ęsthetic Aristotle artist attitude become believe called Christian Coleridge condition conscious creative criticism D. H. Lawrence Democracy divine dream Eliot Emily Brontė emotion English existence experience expression fact Falstaff feel genius Goethe Goethe's harmony Hazlitt heart human Hyperion idea ideal imagination individual instinctive intellectual intuition Keats Keats's kind King King Lear knowledge Lawrence Lawrence's less letter literary literature living Marxism means Merchant of Venice merely metaphor Milton mind modern Moličre moral Murry mystery nature necessary never passion perhaps philosopher poem poet poetic poetry principle of beauty prophetic prose Raskolnikov reality reason religion religious revealed Rousseau seems sense Shakespeare Shylock simple social social contract society soul Spenser Spinoza spirit Stendhal Svidrigailov T. S. Eliot Tchehov things thought tion to-day Tolstoy tragedy true truth unconscious understand universe vision Whitman whole word Wordsworth writing wrote