The literary class book; or, Readings in English literature |
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Page 47
... falling inflection ; when in a high or loud tone of voice , and when in a low and strong ; when it should be marked by a pause before it , when , after it ; and when both before and after it . INFLECTIONS OF THE VOICE . The following ...
... falling inflection ; when in a high or loud tone of voice , and when in a low and strong ; when it should be marked by a pause before it , when , after it ; and when both before and after it . INFLECTIONS OF THE VOICE . The following ...
Page 48
... falling , soon convinced me that those inflections which I could not reduce to either of these two , were neither ... inflection , and ending with the falling , on the same syllable ; and the other beginning with the falling , and ending ...
... falling , soon convinced me that those inflections which I could not reduce to either of these two , were neither ... inflection , and ending with the falling , on the same syllable ; and the other beginning with the falling , and ending ...
Page 49
... falling inflection is not meant the pitch of the voice in which the whole word is pronounced , or that loudness or softness which may accompany any pitch ; bat that upward or downward slide which the voice makes when the pronunciation ...
... falling inflection is not meant the pitch of the voice in which the whole word is pronounced , or that loudness or softness which may accompany any pitch ; bat that upward or downward slide which the voice makes when the pronunciation ...
Page 51
... falling inflection on the same syllable . This is called the Cir- cumflex Inflection , and it is distinguishable into the Rising and Falling Circumflex , according as it begins with the rising or falling inflection . The Rising Inflection ...
... falling inflection on the same syllable . This is called the Cir- cumflex Inflection , and it is distinguishable into the Rising and Falling Circumflex , according as it begins with the rising or falling inflection . The Rising Inflection ...
Page 52
... FALLING INFLECTION . RULE II . - In all cases where the sense is complete or inde- pendent , the falling inflection should be used . a . Hence the voice naturally and gradually falls at the end of a sentence . b . Hence , also , the falling ...
... FALLING INFLECTION . RULE II . - In all cases where the sense is complete or inde- pendent , the falling inflection should be used . a . Hence the voice naturally and gradually falls at the end of a sentence . b . Hence , also , the falling ...
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The Literary Class Book; Or, Readings in English Literature Robert Joseph Sullivan No preview available - 2020 |
Common terms and phrases
accent arms beauty behold Beotia blood Brutus Cæsar cæsura Caius Verres called Cassius Cicero Circumflex Contempt cried death delight demnation Demosthenes dread earth Elocution emphasis emphatic words enemies Euboea express eyes falling inflection fame father fear feel fool force friends give glory grief hand happiness hath hear heard heart heaven honour hope Horror human human voice Jugurtha Julius Cæsar kind king labour liberty live look lord Macbeth mankind manner means Micipsa mind motley fool nature never night noble Numidia o'er observations ourselves passion pause person phatic pity pleasure poor pow'r praise pronounce pronunciation proper reader Roman Roman senate rule Scythians sense sentence smile soul sound speak speaker spirit syllables tears tell thee thing thou thought tion tone truth Twas uncle Toby utter virtue voice youth
Popular passages
Page 456 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod ; and the delighted spirit To bathe in fiery floods...
Page 454 - Sleep, O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness ? Why rather, sleep, liest thou in smoky cribs, Upon uneasy pallets stretching thee, And hush'd with buzzing night-flies to thy slumber ; Than in the perfum'd chambers of the great, Under the canopies of costly state, And lull'd with sounds of sweetest melody...
Page 67 - He, above the rest In shape and gesture proudly eminent, Stood like a tower. His form had yet not lost All her original brightness, nor appeared Less than archangel ruined, and the excess Of glory obscured ; as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 213 - Thus with the year Seasons return, but not to me returns Day, or the sweet approach of even or morn, Or sight of vernal bloom, or summer's rose, Or flocks, or herds, or human face divine; But cloud instead, and ever-during dark Surrounds me...
Page 493 - There was a sound of revelry by night, And Belgium's capital had gather'd then Her Beauty and her Chivalry, and bright The lamps shone o'er fair women and brave men; A thousand hearts beat happily; and when Music arose with its voluptuous swell, Soft eyes look'd love to eyes which spake again, And all went merry as a marriage bell; But hush!
Page 327 - Reading maketh a full man; conference a ready man; and writing an exact man. And therefore, if a man write little, he had need have a great memory; if he confer little, he had need have a present wit: and if he read little, he had need have much cunning, to seem to know that he doth not. Histories make men wise; poets witty; the mathematics subtile; natural philosophy deep; moral grave; logic and rhetoric able to contend.
Page 172 - Great in the earth as in th' ethereal frame; Warms in the sun, refreshes in the breeze. Glows in the stars, and blossoms in the trees, Lives through all life, extends through all extent. Spreads undivided, operates unspent: Breathes in our soul, informs our mortal part, As full, as perfect, in a hair as heart; As full, as perfect, in vile man that mourns, As the rapt seraph that adores and burns: To him no high, no low, no great, no small; He fills, he bounds, connects, and equals all.
Page 468 - Haste thee, nymph, and bring with thee Jest, and youthful Jollity, Quips, and cranks,* and wanton* wiles, Nods, and becks, and wreathed smiles, Such as hang on Hebe's cheek, And love to live in dimple sleek; Sport that wrinkled Care derides, And Laughter holding both his sides.
Page 142 - Now, my co-mates, and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp ? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, The seasons' difference ; as, the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors, That feelingly persuade me what I am.
Page 491 - There is a pleasure in the pathless woods, There is a rapture on the lonely shore, There is society, where none intrudes, By the deep Sea, and music in its roar: I love not Man the less, but Nature more...