Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the RestorationThe literary influence of alchemy and hermeticism in the work of most medieval and early modern authors has been overlooked. Stanton Linden now provides the first comprehensive examination of this influence on English literature from the late Middle Ages through the sixteenth and seventeenth centuries. Drawing extensively on alchemical allusions as well as on the practical and theoretical background of the art and its pictorial tradition, Linden demonstrates the pervasiveness of interest in alchemy during this three-hundred-year period. Most writers—including Langland, Gower, Barclay, Eramus, Sidney, Greene, Lyly, and Shakespeare—were familiar with alchemy, and references to it appear in a wide range of genres. Yet the purposes it served in literature from Chaucer through Jonson were narrowly satirical. In literature of the seventeenth century, especially in the poetry of Donne, Herbert, Vaughan, and Milton, the functions of alchemy changed. Focusing on Bacon, Donne, Herbert, Vaughan, and Milton—in addition to Jonson and Butler—Linden demonstrates the emergence of new attitudes and innovative themes, motifs, images, and ideas. The use of alchemy to suggest spiritual growth and change, purification, regeneration, and millenarian ideas reflected important new emphases in alchemical, medical, and occultist writing. This new tradition did not continue, however, and Butler's return to satire was contextualized in the antagonism of the Royal Society and religious Latitudinarians to philosophical enthusiasm and the occult. Butler, like Shadwell and Swift, expanded the range of satirical victims to include experimental scientists as well as occult charlatans. The literary uses of alchemy thus reveal the changing intellectual milieus of three centuries. |
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... effect, and converting them by a naturall commixtion into a better kind. A certain other saith: Alchimy is a Science, teaching how to transforme any kind of mettall into another: and that by a proper medicine, as it appeareth by many ...
... effect that alchemy is not solely concerned with metallic transmutation, historians often distinguish between practical or exoteric alchemy and a second type of esoteric, spiritual, or philosophical alchemy. Although these two ...
... effect on alchemical theory it is curious (yet altogether characteristic of the most eminent seventeenth-century scientists) that Boyle, like Newton, should have taken keen interest in alchemy. Unwilling to make dogmatic pronouncements ...
... effects. Besides providing man with a link to the divine, the macrocosm-microcosm correspondence was commonly employed by the alchemists in describing their own position in the universe and even the composition of the philosopher's ...
... effect of human corruption, but it is more frequently a means of objectifying the consequences of original sin than of representing the evil itself. Alchemy is splendidly equipped to represent moral transformation and transmutation ...
Contents
Francis Bacon and Alchemy | |
Ben Jonson and the Drama | |
The Poetry of Donne and Herbert | |
Alchemy Allegory | |
Alchemy in | |
the Restoration Revolt against Enthusiasm | |
Cauda Pavonis | |
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Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the ... Stanton J. Linden No preview available - 1996 |