Shakespeare, Italy, and Intertextuality
Manchester University Press, 2004 - Drama - 278 pages
Introduction; Part I: Theory And Practice; Part II: Culture And Tradition; Part III: Text And Ideology; Part IV: Stage And Spectacle; Afterword; Select bibliography; Index.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Seven types of intertextuality
English bodies in Italian habits
intertextuality in action
the crisis of the aristocracy in Troilus
Italian intertexts of the ransom plot
the novella as mediator between
luxury sodomy and miscegenation
xenophobia and the erosion of tragedy
Measure for Measure and the Italianate
Other editions - View all
action Antony appear audience authority becomes body Book Brutus Caesar called Cambridge Cassius characters chess Cinthio's Cleopatra comedy contemporary course court critical cultural death desire direct disguised drama dramatic Duke early modern edition effect Elizabethan England English evident example fact figure final give given hand human important influence intertextual Italian Italy John language later lines London material means Measure for Measure mind moral narrative nature Night Notes offers original Othello Oxford painting particular performance Plautus play plot political Portia possible practice present provides reason reference relation Renaissance represents rhetorical Roman Rome scene seems sense Shakespeare shows Shrew significant soul stage statue story suggests tale theatre theatrical Thomas tradition tragedy translation Troilus University Press Venice whole