Great Short Works of Edgar Allan Poe: Poems Tales CriticismThe classic poems and spine-tingling stories of an American gothic master collected in one volume Of all the American writers, Edgar Allan Poe staked out perhaps the most unique and vivid reputation as a master of the macabre. Even today, in the age of horror movies and high-tech haunted houses, Poe remains the first choice of entertainment for many who want a spine-chilling thrill. Born in Boston in 1809, and dead at the age of forty, Poe wrote across several fields during his life and was noted for his poetry and short stories as well as his criticism. The best of each of these is collected here, including the classic poem “The Raven,” and beloved stories like “The Tell-Tale Heart.” In his introduction to this volume, G. R. Thompson argues that Poe was a great satirist and comedic craftsman, as well as a formidable Gothic writer. “All of Poe’s fiction,” Thompson writes, “and the poems as well, can be seen as one coherent piece—as the work of one of the greatest ironists of world literature.” Great Short Works of Edgar Allen Poe includes some of these classics:
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... character in a novel observe in Volume III that the lake he is now passing by is the very one he had fallen into the Volume I, page such and such. These techniques, of course, have been used frequently by twentiethcentury expressionist ...
... characters in the total design of his tales and poems, and to suspect that even his most famous Gothic works—like “Usher” and “Ligeia”—have ironic double and triple perspectives playing upon them: supernatural from one point of view ...
... will grant Poe a unified complexity of symbolism supporting the madness of an obviously mad character, like Roderick Usher, but balk at seeing an ironic complexity governing the whole tale in the suggested madness of the narrators of.
... character.... I have prepared them for republication in book form, in the following manner. I imagine a company of 17 persons who call themselves the Folio Club.... The Folio Club, according to Poe's “Introduction” (extant in manuscript) ...
... character. On a simple “Gothic” level, this emphasis seems to confirm the reality of the supernatural events to follow. But Poe immediately subjects his narrator to a terrifying storm; and in contrast to the stoicism of an old sailor ...
Contents
Introduction 18291831 | |
To Helen 1831 1845 | |
The Sleeper 1831 1849 | |
The Assignation The Visionary 1834 1845 | |
Some Passages from the Life of a Lion Lionizing | |
To One in Paradise 18331849 | |
HopFrog or the Eight Chained OurangOutangs | |
Review of TwiceTold Tales By Nathaniel | |
The Philosophy of Composition 1846 | |
Excerpts from The Poetic Principle 18481850 | |
Review of TwiceTold Tales By Nathaniel Hawthorne | |
Lenore 18311843 | |
UlalumeA Ballad 18471849 | |
Eldorado 1849 | |
1832 1836 | |
1835 | |
The Coliseum 1833 1850 | |
Ligeia 1838 1845 | |
About the Author | |
Other editions - View all
Great Short Works of Edgar Allan Poe: Poems Tales Criticism Edgar Allan Poe No preview available - 2004 |