Engagement with Knavery: Point of View in Richard III, The Jew of Malta, Volpone, and The Revenger's Tragedy |
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Page 69
... exposes its source and shows us for what we are in spite of our faith's " profession " : Who hateth me but for my ... exposing its ugly roots . Thus far the antagonism that Barabas provokes in his Christian audience has provided the ...
... exposes its source and shows us for what we are in spite of our faith's " profession " : Who hateth me but for my ... exposing its ugly roots . Thus far the antagonism that Barabas provokes in his Christian audience has provided the ...
Page 110
... exposes quite this same anxiety about his own craft ? Volpone is by no means a would - be knave in the same sense that the foolish knight whom he has just deceived so completely is a would - be politician . He was , after all , superb ...
... exposes quite this same anxiety about his own craft ? Volpone is by no means a would - be knave in the same sense that the foolish knight whom he has just deceived so completely is a would - be politician . He was , after all , superb ...
Page 141
... expose him somewhat comically as a mere " puny " in Lussurioso's wicked world ( act 1 , scene 3 ) , he controls the ... exposes himself to our derision by boasting foolishly in an aside of his " deep policy " ( 4.2.187 ) , Vindice's ...
... expose him somewhat comically as a mere " puny " in Lussurioso's wicked world ( act 1 , scene 3 ) , he controls the ... exposes himself to our derision by boasting foolishly in an aside of his " deep policy " ( 4.2.187 ) , Vindice's ...
Contents
The Vital Cockatrice | 27 |
Stagecraft vs Statecraft | 63 |
The Chimera of Fox and Fool | 99 |
Copyright | |
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Common terms and phrases
Abigail action allows amusement Anne antic argument audience audience's awareness Barabas Barabas's Ben Jonson brother Calymath Celia characters Christian Christopher Marlowe Clarence Clarence's cockatrice comedy comic command considerate eyes countinghouse course cunning curse detachment dramatic Duke Duke's dupes E. M. W. Tillyard earlier effect Elizabethan enjoy exposes fact feel Ferneze Ferneze's final focus fools Hippolito humor innocent interactions irony Ithamore Jew of Malta Jew's Jonson knave knavery knavish L. C. Knights laugh look Lussurioso Machiavel Marlowe master moral judgment Mosca murder nonetheless onstage perspective play play's pleasure plot point of view reading relationship response revenge Revenger's Tragedy Richard Richard III Richmond role satiric scene scheme Scoto sense sequence Shakespeare's share smile soliloquy spirit sport Spurio stage surely theater theatrical engagement thee thou turn University Press Vice victims villain Vind Vindice Vindice's Volp Volpone Volpone's watch winning