The humblest of all sepulchres, and gazed

With not the less of sorrow and of awe
On that neglected turf and quiet stone,

With name no clearer than the names unknown,
Which lay unread around it; and I asked

The Gardener of that ground, why it might be That for this plant strangers his memory tasked Through the thick deaths of half a century; And thus he answered

"Well, I do not know

Why frequent travellers turn to pilgrims so;
He died before my day of Sextonship,

And I had not the digging of this grave."
And is this all? I thought, - and do we rip

The veil of Immortality? and crave I know not what of honor and of light Through unborn ages, to endure this blight? So soon, and so successless? As I said, The Architect of all on which we tread, For Earth is but a tombstone, did essay To extricate remembrance from the clay, Whose minglings might confuse a Newton's thought, Were it not that all life must end in one,

Of which we are but dreamers; - as he caught
As 't were the twilight of a former Sun,

attributed to me, at least as much as to Mr. Wordsworth; of whom there can exist few greater admirers than myself. I have blended what I would deem to be the beauties as well as defects, of his style; and it ought to be remembered, that, in such things, whether there be praise or dispraise, there is always what is called a compliment, however unintentional." |

Thus spoke he,

"I believe the man of whom

You wot, who lies in this selected tomb,

Was a most famous writer in his day,

And therefore travellers step from out their way

To pay him honor, and myself whate'er

Your honor pleases,"

shook*

- then most pleased I

From out my pocket's avaricious nook

Some certain coins of silver, which as 't were
Perforce I gave this man, though I could spare
So much but inconveniently:- Ye smile,
I see ye, ye profane ones! all the while,
Because my homely phrase the truth would tell.
You are the fools, not I - for I did dwell
With a deep thought, and with a softened eye,
On that Old Sexton's natural homily,

In which there was Obscurity and Fame, -
The Glory and the Nothing of a Name.†

Diodati, 1816.

[Originally

"then most pleased, I shook

My inmost pocket's most retired nook,
And out fell five and sixpence."]

[The grave of Churchill might have called from Lord Byron a deeper commemoration; for, though they generally differed in character and genius, there was a resemblance between their history and character. The satire of Churchill flowed with a more profuse, though not a more embittered, stream; while, on the other hand, he cannot be compared to Lord Byron in point of tenderness or imagination. But both these poets held themselves above the opinion of the world, and both were followed by the fame and popularity which they seemed to despise. The wri

PROMETHEUS.

I.

TITAN! to whose immortal eyes
The sufferings of mortality,
Seen in their sad reality,

Were not as things that gods despise ;
What was thy pity's recompense?

A silent suffering, and intense;

The rock, the vulture, and the chain,
All that the proud can feel of pain,
The agony they do not show,
The suffocating sense of woe,

Which speaks but in its loneliness,

And then is jealous lest the sky
Should have a listener, nor will sigh

Until his voice is echoless.

II.

Titan! to thee the strife was given
Between the suffering and the will,
Which torture where they cannot kill;
And the inexorable Heaven,

lings of both exhibit an inborn, though sometimes ill-regulated generosity of mind, and a spirit of proud independence, frequently pushed to extremes. Both carried their hatred of hypocrisy beyond the verge of prudence, and indulged their vein of satire to the borders of licentiousness. Both died in the flower of their age in a foreign land. — SIR WALTER SCOTT.]

And the deaf tyranny of Fate,
The ruling principle of Hate,
Which for its pleasure doth create
The things it may annihilate,

Refused thee even the boon to die:
The wretched gift eternity

Was thine

and thou hast borne it well.

All that the Thunderer wrung from thee
Was but the menace which flung back
On him the torments of thy rack;
The fate thou didst so well foresee,
But would not to appease him tell;
And in thy Silence was his Sentence,
And in his Soul a vain repentance,
And evil dread so ill dissembled

That in his hand the lightnings trembled.

III.

Thy Godlike crime was to be kind,
To render with thy precepts less
The sum of human wretchedness,
And strengthen Man with his own mind;
But baffled as thou wert from high,

Still in thy patient energy,

In the endurance, and repulse

Of thine impenetrable Spirit,

Which Earth and Heaven could not convulse,

A mighty lesson we inherit:

Thou art a symbol and a sign

To Mortals of their fate and force;

Like thee, Man is in part divine,

A troubled stream from a pure source;
And Man in portions can foresee
His own funereal destiny;

His wretchedness, and his resistance,
And his sad unallied existence:
To which his Spirit may oppose
Itself. and equal to all woes,

And a firm will, and a deep sense,
Which even in torture can descry

Its own concentred recompense,
Triumphant where it dares defy,
And making Death a Victory.

Diodati, July, 1816.

A FRAGMENT.

"COULD I REMOUNT," ETC.]

COULD I remount the river of my years
To the first fountain of our smiles and tears,
I would not trace again the stream of hours
Between their outworn banks of withered flowers,
But bid it flow as now until it glides

The whole of that of which we are a part?