Coleridge and the Literature of Sensibility |
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Page 143
... seems to deny that it belongs to any intellectual tradition at all : it is a poem rather of ' psycho- logical observation ' than of ' ideas ' . This is to overstate a valid point . Dejection was written out of intense personal suffering ...
... seems to deny that it belongs to any intellectual tradition at all : it is a poem rather of ' psycho- logical observation ' than of ' ideas ' . This is to overstate a valid point . Dejection was written out of intense personal suffering ...
Page 144
... seems to have known early and abundantly , the recollection of which was to overflow into some of the greatest passages of The Prelude and the Immortality ode . But was this the experience described in Coleridge's schoolboy poem To the ...
... seems to have known early and abundantly , the recollection of which was to overflow into some of the greatest passages of The Prelude and the Immortality ode . But was this the experience described in Coleridge's schoolboy poem To the ...
Page 243
... seems to me in- telligible without a learned commentary . On the other hand , ' Nature ' seems to mean several things - Mother Nature , the non- human creation , general human nature and possibly individual ' genius ' . Of course this ...
... seems to me in- telligible without a learned commentary . On the other hand , ' Nature ' seems to mean several things - Mother Nature , the non- human creation , general human nature and possibly individual ' genius ' . Of course this ...
Contents
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young