Coleridge and the Literature of Sensibility |
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Page 57
... . 61 . 62 . Quoted by George N. Shuster , The English Ode from Milton to Keats ( New York , 1940 ) , 238 . Notebooks , I , 1142 . 63. Letters , II , 818 . 2 Blue Coat Boys What most elates them sinks the 57 THE RESHAPING SPIRIT.
... . 61 . 62 . Quoted by George N. Shuster , The English Ode from Milton to Keats ( New York , 1940 ) , 238 . Notebooks , I , 1142 . 63. Letters , II , 818 . 2 Blue Coat Boys What most elates them sinks the 57 THE RESHAPING SPIRIT.
Page 82
... quoted at length here : 35 I have enclosed a Poem which Mrs Robinson gave me for your Anthology - She is a woman of undoubted Genius . There was a poem of her's in this Morning's paper which both in metre and matter pleased me much ...
... quoted at length here : 35 I have enclosed a Poem which Mrs Robinson gave me for your Anthology - She is a woman of undoubted Genius . There was a poem of her's in this Morning's paper which both in metre and matter pleased me much ...
Page 98
... quoted here , the 1818 text given in E. V. Lucas ' The Works of Charles and Mary Lamb ( London , 1903 ) , V , 4 , does not differ significantly from earlier drafts . 14. The Works of Robert Burns , III , 172 . 15. Letters , I , 607 ...
... quoted here , the 1818 text given in E. V. Lucas ' The Works of Charles and Mary Lamb ( London , 1903 ) , V , 4 , does not differ significantly from earlier drafts . 14. The Works of Robert Burns , III , 172 . 15. Letters , I , 607 ...
Contents
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young