Coleridge and the Literature of Sensibility |
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Page 129
... mind of a rational and in- tellectual being will be ravished and enthusiastically transported in the contemplation of it ; and , of its own accord , dance to this pipe of Pan , nature's intellectual music and harmony . Insisting as he ...
... mind of a rational and in- tellectual being will be ravished and enthusiastically transported in the contemplation of it ; and , of its own accord , dance to this pipe of Pan , nature's intellectual music and harmony . Insisting as he ...
Page 143
... minds- and specifically , of his own mind ( at the moment ) and Words- worth's - and even of the same mind in different moods . Yet in denying that Dejection is a ' philosophical poem ' in the tradition of Kant , Lovejoy also seems to ...
... minds- and specifically , of his own mind ( at the moment ) and Words- worth's - and even of the same mind in different moods . Yet in denying that Dejection is a ' philosophical poem ' in the tradition of Kant , Lovejoy also seems to ...
Page 159
... Mind consecrates every Field and Wood , turns an ordinary Walk into a Morning or Evening Sacri- fice , and will improve those transient Gleams of Joy , which naturally brighten up and refresh the Soul on such Occasions , into an ...
... Mind consecrates every Field and Wood , turns an ordinary Walk into a Morning or Evening Sacri- fice , and will improve those transient Gleams of Joy , which naturally brighten up and refresh the Soul on such Occasions , into an ...
Contents
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Common terms and phrases
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young