Coleridge and the Literature of Sensibility |
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Page 49
... lines bear all the marks of impromptu writing : the padded lines with their mechanical jog - trot rhythm ; the un- scannable line of misremembered quotation ; the couplet ( begin- ning ' No ! let me trust . . . . ' ) which might have ...
... lines bear all the marks of impromptu writing : the padded lines with their mechanical jog - trot rhythm ; the un- scannable line of misremembered quotation ; the couplet ( begin- ning ' No ! let me trust . . . . ' ) which might have ...
Page 52
... lines in question were written not long before 4 April 1802 , inspired maybe by Dorothy's description of the new moon which she and William saw on 5 March and which , very likely , Sara and Coleridge saw the same evening at Gallow Hill ...
... lines in question were written not long before 4 April 1802 , inspired maybe by Dorothy's description of the new moon which she and William saw on 5 March and which , very likely , Sara and Coleridge saw the same evening at Gallow Hill ...
Page 98
... lines omitted . The version quoted here , the 1818 text given in E. V. Lucas ' The Works of Charles and Mary Lamb ( London , 1903 ) , V , 4 , does not differ significantly from earlier drafts . 14. The Works of Robert Burns , III , 172 ...
... lines omitted . The version quoted here , the 1818 text given in E. V. Lucas ' The Works of Charles and Mary Lamb ( London , 1903 ) , V , 4 , does not differ significantly from earlier drafts . 14. The Works of Robert Burns , III , 172 ...
Contents
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Common terms and phrases
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young