Coleridge and the Literature of Sensibility |
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Page 120
... light of heaven ' . But that is not the way we respond to these lines if we read them as poetry rather than as versified aesthetics . The imagery of creative light and breath - ' the vital breeze or light of heaven ' also functions ...
... light of heaven ' . But that is not the way we respond to these lines if we read them as poetry rather than as versified aesthetics . The imagery of creative light and breath - ' the vital breeze or light of heaven ' also functions ...
Page 158
... Light and Shade vanish ? and whence the robes of light Which thus invest her with more lovely pomp Than fancy can describe ? For although Coleridge is concerned with the presence ( or absence ) of a transensory quality in nature , which ...
... Light and Shade vanish ? and whence the robes of light Which thus invest her with more lovely pomp Than fancy can describe ? For although Coleridge is concerned with the presence ( or absence ) of a transensory quality in nature , which ...
Page 260
... light , a glory , a fair luminous cloud Enveloping the Earth- And from the soul itself must there be sent A sweet and potent voice , of its own birth , Of all sweet sounds the life and element ! V. 55 O pure of heart ! thou need'st not ...
... light , a glory , a fair luminous cloud Enveloping the Earth- And from the soul itself must there be sent A sweet and potent voice , of its own birth , Of all sweet sounds the life and element ! V. 55 O pure of heart ! thou need'st not ...
Contents
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Common terms and phrases
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young