Coleridge and the Literature of Sensibility |
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Page 12
... later writings to interpret his earlier ones , as if his intervening experience of life and letters were of no consequence . While the evidence afforded by Coleridge's later writings and recorded comments cannot be simply dismissed as ...
... later writings to interpret his earlier ones , as if his intervening experience of life and letters were of no consequence . While the evidence afforded by Coleridge's later writings and recorded comments cannot be simply dismissed as ...
Page 51
... later performed on later sections of the letter I do not doubt , but , bear- ing in mind what I have said about the nature of the suspected interpolations and their lack of relation to the surrounding lines , I cannot persuade myself ...
... later performed on later sections of the letter I do not doubt , but , bear- ing in mind what I have said about the nature of the suspected interpolations and their lack of relation to the surrounding lines , I cannot persuade myself ...
Page 248
... later avatars . However , these are grouped together in what amount to three fragments corresponding to ( 1 ) Stanza VI , ( 2 ) Stanzas I - V and VIII , and ( 3 ) Stanza VII of the final version ( s ) . The Morning Post text , addressed ...
... later avatars . However , these are grouped together in what amount to three fragments corresponding to ( 1 ) Stanza VI , ( 2 ) Stanzas I - V and VIII , and ( 3 ) Stanza VII of the final version ( s ) . The Morning Post text , addressed ...
Contents
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Common terms and phrases
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young