Coleridge and the Literature of Sensibility |
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Page 15
... ideas , many of which were the common ali- ment of the European Enlightenment and nourished as well Vol- taire and Erasmus Darwin , Schelling and Goethe , Shelley and Madame de Staƫl . Some of these found their way into Coleridge's ...
... ideas , many of which were the common ali- ment of the European Enlightenment and nourished as well Vol- taire and Erasmus Darwin , Schelling and Goethe , Shelley and Madame de Staƫl . Some of these found their way into Coleridge's ...
Page 46
... ideas , rhetorical devices , and actual phrases that he used in an- other letter the same day or a week before . That was his way . He gave the best that he had ( whether ' his own ' or not ) to each of his correspondents , and yet he ...
... ideas , rhetorical devices , and actual phrases that he used in an- other letter the same day or a week before . That was his way . He gave the best that he had ( whether ' his own ' or not ) to each of his correspondents , and yet he ...
Page 97
... ideas of Dejection . There is simply no way of knowing whether Werther played any direct role in the making of Dejection . Coleridge's references to Werther before 1802 are so infrequent and vague that we have to conclude , I think ...
... ideas of Dejection . There is simply no way of knowing whether Werther played any direct role in the making of Dejection . Coleridge's references to Werther before 1802 are so infrequent and vague that we have to conclude , I think ...
Contents
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Common terms and phrases
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young