Coleridge and the Literature of Sensibility |
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Page 64
... human nature . Doubtless he who can , with calmness , and most fre- quently , abstract himself from the body , and come home again with becoming dignity , is of human beings the most perfect . But it behooves him who possesses this ...
... human nature . Doubtless he who can , with calmness , and most fre- quently , abstract himself from the body , and come home again with becoming dignity , is of human beings the most perfect . But it behooves him who possesses this ...
Page 233
... human but ulti- mately divine origin . The coupling of ' new Earth and new Heaven ' helps us to understand what Coleridge is saying about the aesthetic and spiritual apprehension of nature . Heaven cannot be the object of human ...
... human but ulti- mately divine origin . The coupling of ' new Earth and new Heaven ' helps us to understand what Coleridge is saying about the aesthetic and spiritual apprehension of nature . Heaven cannot be the object of human ...
Page 243
... human creation , general human nature and possibly individual ' genius ' . Of course this ambiguity is implicit in his view of his subject ; it might be said to be his subject . But it leads to inevit- able confusion . At one point ...
... human creation , general human nature and possibly individual ' genius ' . Of course this ambiguity is implicit in his view of his subject ; it might be said to be his subject . But it leads to inevit- able confusion . At one point ...
Contents
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Common terms and phrases
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young