Coleridge and the Literature of Sensibility |
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Page 26
... evidence upon which scholars have based their speculations about the composition of Dejection , and I have tried to state it in a matter - of - fact and conservative way . It is of course much more extensive and detailed than such evidence ...
... evidence upon which scholars have based their speculations about the composition of Dejection , and I have tried to state it in a matter - of - fact and conservative way . It is of course much more extensive and detailed than such evidence ...
Page 30
... evidence that 4 April 1802 is scarcely more definitive , historically speaking , than 20 August 1795 or 31 December 1796. Much of this evidence has been gathered and analysed in recent searching studies by George Whalley and Wil- liam ...
... evidence that 4 April 1802 is scarcely more definitive , historically speaking , than 20 August 1795 or 31 December 1796. Much of this evidence has been gathered and analysed in recent searching studies by George Whalley and Wil- liam ...
Page 42
... evidence proves that this was possible , and the internal evidence in the verse letter does , to my mind , argue strongly in favour of such a conclusion . Before turning to the text of the verse letter , however , I must give a brief ...
... evidence proves that this was possible , and the internal evidence in the verse letter does , to my mind , argue strongly in favour of such a conclusion . Before turning to the text of the verse letter , however , I must give a brief ...
Contents
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Common terms and phrases
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young