Coleridge and the Literature of Sensibility |
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Page 57
... certainly was not with the Wordsworths during their visit to Keswick in April 1802 . 56 . 57 . Letters , II , 801 , dated 7 May 1802. Surely the least probable recipient of the poem in any version was Sara Fricker Coleridge , but she ...
... certainly was not with the Wordsworths during their visit to Keswick in April 1802 . 56 . 57 . Letters , II , 801 , dated 7 May 1802. Surely the least probable recipient of the poem in any version was Sara Fricker Coleridge , but she ...
Page 79
... certainly , was the man who Englished The Sorrows of Young Werther in 1786 ; he linked the ' love and madness ' of Hackman with that of Werther and he saw a particularly close affinity between Werther and Chatterton : 24 Nature had ...
... certainly , was the man who Englished The Sorrows of Young Werther in 1786 ; he linked the ' love and madness ' of Hackman with that of Werther and he saw a particularly close affinity between Werther and Chatterton : 24 Nature had ...
Page 216
... certainly knew it and the accompanying essay and be- cause it further illustrates how ode , Psalm and loco - descriptive poetry rubbed off on each other - if no more than that - during the hey - day of English neoclassicism.34 Ocean ...
... certainly knew it and the accompanying essay and be- cause it further illustrates how ode , Psalm and loco - descriptive poetry rubbed off on each other - if no more than that - during the hey - day of English neoclassicism.34 Ocean ...
Contents
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Common terms and phrases
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young