Coleridge and the Literature of Sensibility |
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Page 127
... century poetry and literary aesthetics . Another and closely related force for conservation were the Cambridge Platon- ists and their early eighteenth - century successors - ranging in seriousness and originality from Berkeley and ...
... century poetry and literary aesthetics . Another and closely related force for conservation were the Cambridge Platon- ists and their early eighteenth - century successors - ranging in seriousness and originality from Berkeley and ...
Page 180
... century ode . Thus to argue is certainly not to deny that the blurring and breakdown of generic categories during the eighteenth century was a phenomenon at least as important and extensive as the attempts , by poet after poet , to ...
... century ode . Thus to argue is certainly not to deny that the blurring and breakdown of generic categories during the eighteenth century was a phenomenon at least as important and extensive as the attempts , by poet after poet , to ...
Page 183
... century poetry and the exalted self - image of the poet as joyous harmonist and počte maudit . Section 3 explains briefly how and why eighteenth - century theorists polarized lyric form into ' greater ' and ' lesser ' odes . Sec- tion 4 ...
... century poetry and the exalted self - image of the poet as joyous harmonist and počte maudit . Section 3 explains briefly how and why eighteenth - century theorists polarized lyric form into ' greater ' and ' lesser ' odes . Sec- tion 4 ...
Contents
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young