Coleridge and the Literature of Sensibility |
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Page 7
... Romantic and ' pre - romantic ' alike . How much preferable , after all , is the alternative offered in Northrop Frye's classic essay " Torwards Defining an Age of Sensibility ' ( ELH , June 1956 , 144-52 ) . Frye argues there for the ...
... Romantic and ' pre - romantic ' alike . How much preferable , after all , is the alternative offered in Northrop Frye's classic essay " Torwards Defining an Age of Sensibility ' ( ELH , June 1956 , 144-52 ) . Frye argues there for the ...
Page 225
... Romantic versions of the greater ode also very nearly disappear from English poetry . NOTES 1. Abrams , ' Structure and Style in the Greater Romantic Lyric ' , From Sensibility to Romanticism , ed . Hilles and Bloom ( New York , 1965 ) ...
... Romantic versions of the greater ode also very nearly disappear from English poetry . NOTES 1. Abrams , ' Structure and Style in the Greater Romantic Lyric ' , From Sensibility to Romanticism , ed . Hilles and Bloom ( New York , 1965 ) ...
Page 245
... Romantic poem which achieves so much in so few lines ; which offers so much variety in a brief compass without loss of unity ; which epitomizes the experience of so many poets without ever seeming merely ' literary ' or ' representative ...
... Romantic poem which achieves so much in so few lines ; which offers so much variety in a brief compass without loss of unity ; which epitomizes the experience of so many poets without ever seeming merely ' literary ' or ' representative ...
Contents
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Copyright | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young