The works of Richard Hurd, Volume 1T. Cadell & W. Davies, 1811 |
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Page 17
... seem not reducible to either of these two classes , they are to be regarded only , as the triflings of their pen , and deserve not to be considered , as making a third and distinct species of this poem . Now these two kinds of the ...
... seem not reducible to either of these two classes , they are to be regarded only , as the triflings of their pen , and deserve not to be considered , as making a third and distinct species of this poem . Now these two kinds of the ...
Page 30
... seem , less cultivated and understood . III . The last part [ from v . 295 to the end ] exhorts to correctness in writing ; yet still with an eye , principally , to the dramatic species ; and is taken up partly in remov- ing the causes ...
... seem , less cultivated and understood . III . The last part [ from v . 295 to the end ] exhorts to correctness in writing ; yet still with an eye , principally , to the dramatic species ; and is taken up partly in remov- ing the causes ...
Page 49
... he goes on , in the remaining part of the epistle , to sum up the several causes , which seem to have produced it . And this gives him the opportunity , " L Quam lingua , Latium ; si non offenderet unum- 1 ARS POETICA . 49.
... he goes on , in the remaining part of the epistle , to sum up the several causes , which seem to have produced it . And this gives him the opportunity , " L Quam lingua , Latium ; si non offenderet unum- 1 ARS POETICA . 49.
Page 59
... seems , incompatible , and demanding in the poet , besides the fire of real genius , all the labour and discipline of art . But there is one thing still want- ing . The poet may be excellently formed by nature , and accomplished by art ...
... seems , incompatible , and demanding in the poet , besides the fire of real genius , all the labour and discipline of art . But there is one thing still want- ing . The poet may be excellently formed by nature , and accomplished by art ...
Page 73
... , without incurring the odium of abso- lutely invented terms , sustains itself in a becoming stateliness and reserve , and , whilst it seems to stoop 3 to the level of conversation , artfully eludes the ART OF POETRY . 73.
... , without incurring the odium of abso- lutely invented terms , sustains itself in a becoming stateliness and reserve , and , whilst it seems to stoop 3 to the level of conversation , artfully eludes the ART OF POETRY . 73.
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Common terms and phrases
absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attention beauty Bishop Brewood censure character chorus Cicero comedy COMMENTARY common composition critic Dacier dicere drama elegance enim Ennius epistle epithets etiam Euripides excellence expression facundia further genius give Greek Hartlebury hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius Majesty manner means Medea Menander mind modern moral Multa nature nexion numbers nunc objects observed occasion old comedy orichalco Oscan painting passage passion peculiar Peleus person piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says sense sentiments shew shewn Sophocles speaking species sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
Popular passages
Page 56 - Natura fieret laudabile carmen an arte Quaesitum est : ego nee Studium sine divite vena Nee rude quid possit video ingenium ; alterius sic 410 Altera poscit opem res et conjurat amice.
Page 76 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Page 31 - Inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 assuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros, aut flumen Rhenum aut pluvius describitur arcus. sed nunc non erat his locus. et fortasse cupressum scis simulare.
Page 33 - Sumite materiam vestris , qui scribitis , aequam Viribus, et versate diu, quid ferre recusent, Quid valeant humeri. Cui lecta potenter erit res , «> Nee facundia deseret hunc, nee lucidus ordo.
Page 51 - Munus et officium, nil scribens ipse, docebo ; Unde parentur opes ; quid alat formetque poetam ; Quid deceat, quid non ; quo virtus, quo ferat error.
Page 34 - Dixeris egregie notum si callida verbum Reddiderit junctura novum. Si forte necesse est Indiciis monstrare recentibus abdita rerum, Fingere cinctutis non exaudita Cethegis 50 Continget, dabiturque licentia sumpta pudenter ; Et nova fictaque nuper habebunt verba fidem si Qraeco fonte cadent, parce detorta.
Page 41 - Trojanum orditur ab ovo ; Semper ad eventum festinat, et in medias res Non secus ac notas auditorem rapit, et, quae Desperat tractata nitescere posse, relinquit, 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Page 35 - Ut silvae foliis pronos mutantur in annos, Prima cadunt ; ita verborum vetus interit aetas, Et juvenum ritu florent modo nata vigentque.
Page 295 - Dicitur Afrani toga convenisse Menandro ; Plautus ad exemplar Siculi properare Epicharmi ; Vincere Caecilius gravitate, Terentius arte. Hos ediscit, et hos arto stipata theatro Spectat Roma potens ; habet hos numeratque poetas Ad nostrum tempus, Livi scriptoris ab aevo.
Page 46 - Carmine qui tragico vilem certavit ob hircum, 220 Mox etiam agrestes Satyros nudavit et asper Incolumi gravitate jocum tentavit eo, quod Illecebris erat et grata novitate morandus Spectator functusque sacris et potus et exlex.