The Classical Mythology of Milton's English Poems, Volume 8 |
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Page xvii
... common to the three solemn events here described . Each is the victory of a hero ; each is the triumph of right over wrong , of light over darkness ; and in each struggle is involved the fate of generations . The comparison of Christ to ...
... common to the three solemn events here described . Each is the victory of a hero ; each is the triumph of right over wrong , of light over darkness ; and in each struggle is involved the fate of generations . The comparison of Christ to ...
Page xxii
... common in the classics , and is illustrated in Od . 8. 364 , where the Graces bathe and anoint the goddess . Cf. Hom . Hy . to Aphrodite 3. 61 ; Hor . C. I. 4 ; 1. 30 ; 3. 21. In P. L. 8. 510 , where Adam leads Eve to the nuptial bower ...
... common in the classics , and is illustrated in Od . 8. 364 , where the Graces bathe and anoint the goddess . Cf. Hom . Hy . to Aphrodite 3. 61 ; Hor . C. I. 4 ; 1. 30 ; 3. 21. In P. L. 8. 510 , where Adam leads Eve to the nuptial bower ...
Page xxv
... common idea that she puts the Night to rout , and partly by an expression which Vergil uses of Neptune . The rest of the passage is peculiar to Milton . Again in the Fifth Book of Para- dise Lost the Morning Star is addressed as Fairest ...
... common idea that she puts the Night to rout , and partly by an expression which Vergil uses of Neptune . The rest of the passage is peculiar to Milton . Again in the Fifth Book of Para- dise Lost the Morning Star is addressed as Fairest ...
Page xxvii
... common conception in Greek poetry , though perhaps in this case referable to Dante . ' We may notice that in this passage Milton intends to describe not the earthly dawn , but the grateful vicissi- tude of light and darkness in heaven ...
... common conception in Greek poetry , though perhaps in this case referable to Dante . ' We may notice that in this passage Milton intends to describe not the earthly dawn , but the grateful vicissi- tude of light and darkness in heaven ...
Page xxviii
... common tradition of Greek poetry . But the mere juxtaposition of these things is not enough . Milton , like a true artist , realizes that though color is lovely , something else is still lovelier , more important , and more vital . He ...
... common tradition of Greek poetry . But the mere juxtaposition of these things is not enough . Milton , like a true artist , realizes that though color is lovely , something else is still lovelier , more important , and more vital . He ...
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Common terms and phrases
According Adonis allusion ambrosia ancients Aphrodite Apollo Apollodorus appears Aurora Bacchus beauty called cave Chaos chariot Chimæra Circe cited classical mythology color Comus conception Cotytto Cronus dark daughter Dawn describes Diana divine earth epithet Erebus Euripides Eurynome father flowers goddess gods golden Gorgons Graces Greek Hades heaven Hell Hephæstus Hera Heracles Hermes Hesiod Hesiod Theog Homer Hyginus hymn idea Jove L'AI L'Al Latin light lines Melancholy mentioned Milton Milton refers Milton speaks mortal mother Muses myth Naiads nature Neptune Night nymphs Odysseus Olympus Orph Orpheus Orphic Ovid Ovid's Paradise passage Pausanias Pens Pindar Plato Plutarch poems poet poetry Poseidon Rhea Saturn says Sea-gods seems serpent Servius sing sirens Sleep song spirit spring Statius story Strabo suggested sweet Theb Theoc Theocritus Theog things tion Titans told truth Venus Verg Vergil Vesta winds wings writers Zephyrus Zeus
Popular passages
Page lii - HENCE, loathed Melancholy, Of Cerberus and blackest Midnight born In Stygian cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy! Find out some uncouth cell, Where brooding Darkness spreads his jealous wings, And the night-raven sings ; There, under ebon shades and low-browed rocks, As ragged as thy locks, In dark Cimmerian desert ever dwell.
Page 57 - Muse ! that on the secret top Of Oreb or of Sinai didst inspire That shepherd who first taught the chosen seed In the beginning how the heavens and earth Rose out of chaos.
Page lxi - So dear to Heaven is saintly chastity That, when a soul is found sincerely so, A thousand liveried angels lackey her, Driving far off each thing of sin and guilt...
Page lxviii - And wisdom at one entrance quite shut out. So much the rather thou, celestial Light, Shine inward, and the mind through all her powers Irradiate ; there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight.
Page xv - The birds their quire apply ; airs, vernal airs, Breathing the smell of field and grove, attune The trembling leaves, while universal Pan, Knit with the Graces and the Hours in dance, Led on the eternal Spring.
Page xxv - Fairest of stars, last in the train of night, If better thou belong not to the dawn, Sure pledge of day, that crown'st the smiling morn With thy bright circlet, praise Him in thy sphere, While day arises, that sweet hour of prime.
Page lxxxii - For neither were ye playing on the steep Where your old bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream. Ay me! I fondly dream "Had ye been there," — for what could that have done?
Page lvi - And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse, Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out 140 With wanton heed and giddy cunning, The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony ; That Orpheus...
Page lix - Hence, vain deluding Joys, The brood of Folly without father bred! How little you bested, Or fill the fixed mind with all your toys!
Page xxxix - The star that bids the shepherd fold Now the top of heaven doth hold ; And the gilded car of day His glowing axle doth allay In the steep Atlantic stream : And the slope sun his upward beam Shoots against the dusky pole, Pacing toward the other goal Of his chamber in the east.