Imprints & Re-visions: The Making of the Literary Text, 1759-1818

Adeline Adeline's aesthetic allusion Alps androgyny appears beautiful becomes Biographia Literaria child Christabel Coleridge's composition Conjectures consciousness context copy creative criticism decree desire dream edition essay experience fantasy fantasy scene father feelings fiction Frankenstein Freud Gilpin Hartley human hysteric imagination imitation Kant Kubla Khan landscape language later poetry letter lines literary literature London manuscript Marquis Mary Shelley metaphor Milton mind modern Montalt mother Motte Mount Blanc narrative narrator nature Notebooks object original genius Paradise Lost passage personifications Picturesque poem poet poet's Poetical Preface Prelude primal Princeton printing Prometheus prose published reader represents revision River Wye Romantic Romanticism S.T. Coleridge Samuel Taylor Coleridge seems sense sexual Simplon pass Solitary Date-Tree stanza sublime suggests symbolic symptoms textual things thought Tintern Abbey tour trauma University Press verse vision Whitman William Gilpin William Wordsworth words Wordsworth writing Young