Shakespeare : Select Plays: As You Like itClarendon Press, 1883 - 168 pages |
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Page vi
... Venice , i . 2. 99 ) to be pointed at . But both these would give dates too late , and they may easily have been added at some subsequent representation of the play , which was mainly composed , as I think , in the year 1600 , and after ...
... Venice , i . 2. 99 ) to be pointed at . But both these would give dates too late , and they may easily have been added at some subsequent representation of the play , which was mainly composed , as I think , in the year 1600 , and after ...
Page 81
... Venice , ii . I. 3 : The burnish'd sun , To whom I am a neighbour and near bred . ' And Measure for Measure , iv . 2. 135 : ' A Bohemian born , but here nursed up and bred . ' 4. Jaques . In the last scene where only he appears he is ...
... Venice , ii . I. 3 : The burnish'd sun , To whom I am a neighbour and near bred . ' And Measure for Measure , iv . 2. 135 : ' A Bohemian born , but here nursed up and bred . ' 4. Jaques . In the last scene where only he appears he is ...
Page 84
... Venice , iii . 2. 326 : Since I have your good leave to go away , I will make haste . ' And I Henry IV , i . 3. 20 : 100. she . ' You have good leave to leave us . ' The first folio hashee . ' IOI . or have died to stay behind her ...
... Venice , iii . 2. 326 : Since I have your good leave to go away , I will make haste . ' And I Henry IV , i . 3. 20 : 100. she . ' You have good leave to leave us . ' The first folio hashee . ' IOI . or have died to stay behind her ...
Page 88
... Venice , ii . 8. 27 : I reason'd with a Frenchman yesterday . ' 50. whetstone of the wits . The Whetstone of Witte . The title of Robert Recorde's Arithmetic is 51. wit ! whither wander you ? Wit , whither wilt ? ' was a proverbial ...
... Venice , ii . 8. 27 : I reason'd with a Frenchman yesterday . ' 50. whetstone of the wits . The Whetstone of Witte . The title of Robert Recorde's Arithmetic is 51. wit ! whither wander you ? Wit , whither wilt ? ' was a proverbial ...
Page 89
... Venice , iii . 5. 3 ' Therefore , I promise ye , I fear you . ' 127. any , any one . So in Measure for Measure , i . I. 23 : If any in Vienna be of worth To undergo such ample grace and honour , It is Lord Angelo . ' And Henry V , iv ...
... Venice , iii . 5. 3 ' Therefore , I promise ye , I fear you . ' 127. any , any one . So in Measure for Measure , i . I. 23 : If any in Vienna be of worth To undergo such ample grace and honour , It is Lord Angelo . ' And Henry V , iv ...
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Shakespeare Select Plays: A Midsummer Night's Dream (Classic Reprint) William Shakespeare No preview available - 2017 |
Common terms and phrases
Abbott Adam Adam Spencer Aliena Antony and Cleopatra Audrey Beau brother Cæsar called Capell Celia Compare Hamlet Compare The Tempest conjecture Coridon Coriolanus Cotgrave Cymbeline Dict doth Duke F Enter Exeunt eyes fair father favour folios fool forest fortune foul Ganimede gentle gentleman Gentlemen of Verona Gerismond give Hamlet hath heart Henry hither honour humour Jaques Julius Cæsar King Lear live Lodge's novel look Lord Love's Labour's Lost lover Lucrece Macbeth marry meaning Merchant of Venice merry Midsummer Night's Dream mistress Montanus Oliver Orlando passage passion Phebe play pray prithee quotes quoth Richard II Rosader Rosalind Saladyne Scene sense Shakespeare shalt shepherd Silvius song speak Steevens sweet thee thou art Touch Touchstone Troilus and Cressida Twelfth Night unto Venus and Adonis verses woman word youth
Popular passages
Page 82 - In the corrupted currents of this world Offence's gilded hand may shove by justice, And oft 'tis seen the wicked prize itself Buys out the law; but 'tis not so above; There is no shuffling, there the action lies In his true nature, and we ourselves compell'd Even to the teeth and forehead of our faults To give in evidence.
Page 33 - The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.
Page 125 - I have almost forgot the taste of fears : The time has been, my senses would have cool'd To hear a night-shriek ; and my fell of hair Would at a dismal treatise rouse, and stir, As life were in't : I have supp'd full with horrors ; Direness, familiar to my slaughterous thoughts, Cannot once start me.
Page 22 - Though I look old, yet I am strong and lusty; For in my youth I never did apply Hot and rebellious liquors in my blood, Nor did not with unbashful forehead woo The means of weakness and debility; Therefore my age is as a lusty winter, Frosty, but kindly.
Page 147 - My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red: If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound: I grant I never saw a goddess go; My mistress, when she walks,...
Page 34 - Blow, blow, thou winter wind, Thou art not so unkind As man's ingratitude ; Thy tooth is not so keen, Because thou art not seen, Although thy breath be rude.
Page 162 - Whose blood and judgment are so well commingled, That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Page 27 - And loves to live i' the sun, Seeking the food he eats And pleased with what he gets, Come hither, come hither, come hither: Here shall he see No enemy But winter and rough weather.
Page 26 - Under the greenwood tree Who loves to lie with me, And turn his merry note Unto the sweet bird's throat, Come hither, come hither, come hither : Here shall he see No enemy But winter and rough weather.
Page 33 - With eyes severe and beard of formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age shifts Into the lean and...