Pie. Why then; O me Celitum excelsissimum ! I alwaies bore to that Andrugio, Nor shall that carpet-boy Antonio Match with my daughter, sweet-cheekt Mellida. Feli. Ill; when public power strengthneth private wrong. Pie. 'Tis horse-like not for a man to know his force. Feli. "Tis god-like for a man to feele remorse. Pie. Pish! I prosecute my families revenge, Which I'le pursue with such a burning chace, Till I have dri'd up all Andrugio's bloud; Weake rage that with slight pittie is withstoode [The Cornets sound a flourish. What meanes that fresh triumphall florish sound? Pie. Weele girt them with an ample waste of love; Let vollies of the great artillery From of our gallies banks play prodigall, And sound lowd welcome from their bellowing mouths. ¶ The Cornets sound a cynet. ROSSALINE, and FLAVIA. Exit Piero tantum. Enter above, MELLIDA, Enter belowe, GALEATZO with Attendants; PIERO meeteth him, embraceth ; at which the Cornets sound a florish; PIERO and GALEATZO exeunt; the rest stand still. [guard? Mel. What prince was that passed through my father's Fla. 'Twas Galeatzo, the young Florentine. Ros. Troth, one that will besiege thy maidenhead; Enter the wals, yfaith (sweet Mellida) If that thy flankers be not canon-proofe. Mel. Oh, Mary Ambree! good, thy judgement, wench ; Thy bright elections cleere: what will he proove? Ros. Hath a short finger and a naked chinne, A skipping eye; dare lay my judgement (faith) His love is glibbery; there's no hold ont, wench. Give me a husband whose aspect is firme; A full cheekt gallant with a bouncing thigh: Oh, he is the paradizo dell madonne contento. Mel. Even such a one was my Antonio. [The Cornets sound a cynet. Ros By my nine and thirteth servant (sweete) Thou art in love, but stand on tiptoed faire; Here comes Saint Tristram Tirlery Whiffe, yfaith. Enter MATZAGENTE; PIERO meetes him; embraceth; at which the Cornets sound a florish: they two stand, using seeming complements, whilst the sceane passeth above. Mel. S. Marke, S. Marke! what kind of thing appears? Ros. For fancies passion, spit upon him; figh! His face is varnisht. In the name of love, What country bred that creature? Mel. What is he, Flavia? Fla. The heire of Millane, Segnior Matzagent. Mel. What husband wil he proove, sweete Rossaline? Ros. Avoid him; for he hath a dwindled legge, A lowe forehead, and a thinne cole-black beard; And will be jealous too, beleeve it, sweete; For his chin sweats, and hath a gander neck, A thinne lippe, and a little monkish eye; Pretious, what a slender waste he hath! He lookes like a may-pole, or notched stick; Heele snap in two at every little straine. Give me a husband that will fill mine armes, Of steddie judgement, quicke and nimble sense; Fooles relish not a ladies excellence. [Exeunt all on the lower Stage; at which the Cornets sound a flourish, and a peale of shot is given. Mel. The tryumph's ended, but looke, Rossaline, What gloomy soule in strange accustrements Walkes on the pavement. Ros. Good sweete, let's to her; pree thee, Mellida. Mel. How covetous thou art of novelties! Ros. Pish! 'tis our nature to desire things That are thought strangers to the common cut. Ros. But what? pree thee goe downe; let's see her face: God send that neither wit nor beauty wants Those tempting sweets, affections adamants. [Exeunt. Ant. Come downe, she comes like-O, no simile Is pretious, choyce, or elegant enough To illustrate her descent; leape heart she comes, She comes! smile heaven, and softest southern winde She comes creations puritie, admir'd, Ador'd amazing raritie,-she comes! O, now, Antonio, presse thy spirit forth eyes heart! Enter MELLIDA, ROSSALINE, and FLAVIA, Ros. Good, sweete lady, without more ceremonies, What country claims your birth? and, sweet, your name? Ant. In hope your bountie will extend itselfe In selfe same nature of faire curtesie; I'le shunne all nicenesse; my nam's Florizell, Cast on this shore by furie of the sea. [names. Ros. Nay, faith, sweete creature, weele not vaile our It pleas'd the font to dip me Rossaline; That ladie beares the name of Mellida, The Duke of Venice daughter. Ant. Madam, I am oblig'd to kisse your hand, By imposition of a now dead man. [To Mellida, kissing her hand. Ros. Now, by my troth, I long, beyond all thought, To know the man; sweete beauty, deigne his name. Ant. Ladie, the circumstance is tedious. Ros. Troth, not a whit; good faire, let's have it all: I love not, I, to have a jot left out, If the tale come from a lov'd orator. Ant. Vouchsafe me, then, your hush't observances. Vehement in pursuite of strange novelties, After long travaile through the Asian maine, Sayling some two monthes with inconstant winds, To which we made: when loe! some three leagues off, And then he swooned. Mel. Aye me! Ant. Why sigh you, faire? Ros. Nothing but little humours; good sweet, on. Ant. His wounds being drest, and life recovered, We gan discourse; when loe! the sea grewe mad, His bowels rumbling with winde passion; Straight swarthy darknesse popt out Phœbus eye, And blurd the jocund face of bright cheekt-day; Whilst crudl'd fogges masked even darknesse brow: Heaven bad's good night, and the rocks gron'd At the intestine uprore of the maine. Now gustie flawes strook up the very heeles Of our maine mast, whilst the keene lightning shot |