Untill my foole, that press'd unto the bed, Screch❜t out so lowd that he brought back her soule, Dar'd kisse her hand, wisht her soft rest, lov'd bride; Pie. And so she dide! I doe not use to weepe; Straine all your wits, winde up invention The cornets sound. SCENA QUARTA. ¶ Enter ANTONIO solus, in fooles habit. [Exeunt. Ant. I Heaven, thou maist, thou maist omnipotence. What vermine bred of putrifacted slime Shall dare to expostulate with thy decrees! N O Heaven, thou maist indeede: she was all thine, All heavenly I did but humbly beg : To borrowe her of thee a little time. Thou gav'st her me, as some weake breasted dame And when it once goes high-lone, takes it back. ナー She was my vitall blood, and yet, and yet, Ile not blaspheame. Looke here! beholde ! [Antonio puts off his cap, and lyeth just upon his back. I turne my prostrate breast upon thy face, And vent a heaving sigh. O heare but this! My breast is Golgotha, grave for the deade. SCENA QUINTA. Enter PANDULPHO, ALBERTO, and a Page, carrying FELICHES trunke in a winding sheete, and lay it thwart ANTONIOS breast. Pan. Antonio, kisse my foote: I honour thee, In laying thwart my blood upon thy breast. I tell thee, boy, he was Pandulphos sonne; And I doe grace thee with supporting him, Young man. The dominering monarch of the earth, He who hath naught that fortunes gripe can seize, He who is all impregnably his owne, Hee whose great heart Heaven can not force with force, Pan. Didst finde her good, or didst thou make her good? If found, thou maist refinde, because thou hadst her. If made, the worke is lost; but thou that mad'st her Liv'st yet as cunning. Hast lost a good wife? Thrice blessed man that lost her whilst she was good, Faire, young, unblemisht, constant, loving, chaste. I tell thee, youth, age knows, young loves seeme grac❜t, Which with gray cares, rude jarres, are oft defac't. Ant. But shee was full of hope. Pan. May be, may be; but that which may be, stood, Stands now without all may. She died good, And dost thou grieve? Alb. I ha lost a true friend. Pan. I live encompast with two blessed soules. Are you all like the spoke-shaves of the church? Have you no mawe to restitution? Hast lost a true friend, cuz? then thou hadst one. To finde true friend in this apostate age (That balkes all right affiance twixt two hearts) Under a painted breast. Lost a true friend! Pan. Why there's the comfort ont, that he was good. Alas, poore innocent! Alb. Why weepes mine uncle? Pan. Ha, dost aske me why? ha, ha! Good cuz, looke here! [He showes him his sonnes breast. Man will breake out, despight philosophie. Why, all this while I ha but plaid a part, I am the miserablest sowle that breathes. [Antonio starts up. Ant. S'lid, sir, ye lye! by the heart of griefe, thou lyest! Most miserable, most unmatcht in woe. Pan. Wilt still be so, and shall yon blood-hound live? [They strike the stage with their daggers, and the Ant. Wilt sing a dirge, boy? Pan. No, no song; twill be vile out of tune. Alb. Indeede, he's hoarce; the poor boye's voice is crackt. Pan. Why cuz! why shold it not be hoarce and crackt, When all the strings of natures symphony Are crackt and jar? Why should his voice keepe tune, When ther's no musick in the breast of man? Ile say an honest antick rime I have, (Helpe me, good sorrow-mates, to give him grave). [They all helpe to carie Feliche to his grave. Death, exile, plaints, and woe, Are but mans lackies, not his foe. No mortall scapes from fortunes warre Without a wound, at least a scarre. With this ould sawe, close up this dust; Ant. The gloomie wing of night begins to stretch We must be stiffe and steddie in resolve; Let's thus our hands, our hearts, our armes involve. [They wreath their armes. Pan. Now sweare we by this Gordian knot of love, Ere night shall close the lids of yon bright stars, As Etna doth on groning Pelorus. Ant. Thanks, good old man; Weele cast at royall chaunce. Let's thinke a plot-then pell mell vengeance! [Exeunt, their armes wreathed. |