Complete Works, Volume 4D.C. Heath & Company, 1897 |
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Page 16
... as free As mountain winds : but then exactly do All points of my command . Ari . To the syllable . Pros . Come , follow . Speak not for him . [ Exeunt . 500 ACT II . SCENE I. Another part of the island 16 [ Act I. Sc . 2 . THE TEMPEST.
... as free As mountain winds : but then exactly do All points of my command . Ari . To the syllable . Pros . Come , follow . Speak not for him . [ Exeunt . 500 ACT II . SCENE I. Another part of the island 16 [ Act I. Sc . 2 . THE TEMPEST.
Page 62
... syllable . 99-102 . like one ... own lie . The general meaning of this pas- sage is clear : ' Like one who , by repeating a lie , has made his memory such a sinner against truth that he has come to believe his own invention ' . ( Malone ...
... syllable . 99-102 . like one ... own lie . The general meaning of this pas- sage is clear : ' Like one who , by repeating a lie , has made his memory such a sinner against truth that he has come to believe his own invention ' . ( Malone ...
Page 87
... syllable . The 92. ' With which he will deck his house , when he has it . ' clause which he'll deck his house withal ' is interrupted by the change to ' when he has a house ' 93. that , that which . to consider , to be considered . Cf ...
... syllable . The 92. ' With which he will deck his house , when he has it . ' clause which he'll deck his house withal ' is interrupted by the change to ' when he has a house ' 93. that , that which . to consider , to be considered . Cf ...
Page 92
... , has only one lamp , or torch " , as it is called in l . 97 . 66 26. opportune : the accent is on the second syllable . suggestion : cf. note on ii . I. 278 . 27. genius . A comparison of the chief passages in 92 [ Act IV . THE TEMPEST.
... , has only one lamp , or torch " , as it is called in l . 97 . 66 26. opportune : the accent is on the second syllable . suggestion : cf. note on ii . I. 278 . 27. genius . A comparison of the chief passages in 92 [ Act IV . THE TEMPEST.
Page 109
... syllables in rising rhythm ( i.e. with the stress on the second syllable ) without rhyme . This became the normal metrical form of the Elizabethan drama , e.g. For this ' , be sure ' , | to - night ' | thou shalt ' | have cramps ' ( i ...
... syllables in rising rhythm ( i.e. with the stress on the second syllable ) without rhyme . This became the normal metrical form of the Elizabethan drama , e.g. For this ' , be sure ' , | to - night ' | thou shalt ' | have cramps ' ( i ...
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Common terms and phrases
Abbott Alon Alonso Antonio Ariel beat Boatswain brave brother Cæsar Caliban camest Ceres charm Cotgrave daughter devil doth Dowden drowned Duke of Milan dukedom Elizabethan enchanted Enter ARIEL Exeunt eyes Faerie Queene father Ferdinand fish foot foul fresh give Gonzalo Hark hath hear honour interpretation island isle Julius Cæsar Juno King of Naples labour lord masque master meaning Miranda monster nature never nymphs passage phrase play plot plural pray prince princess Prithee probably Pros Prospero PROSPERO'S cell queen quotes rack Re-enter ARIEL reading reference roar scene Sebastian sense Setebos Shakespeare ship shore sing sleep speak spirit Stephano storm strange stress suggested sweet Sycorax syllable tell Tempest thee thine thing thou art thou hast thou shalt thought thyself Trin Trinculo Tunis verb vowel vowel-like William Davenant wind word Wright