Hamlet'The Mona Lisa of literature' T. S. Eliot |
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... believe themselves released from social and political deference, urged that the believer should show his or her delight in God's will by cooperating as far and as eagerly as possible. Now, that is not how Hamlet appears. His version of ...
... believe themselves released from social and political deference, urged that the believer should show his or her delight in God's will by cooperating as far and as eagerly as possible. Now, that is not how Hamlet appears. His version of ...
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... believe in order at any price, you may celebrate the restoration of state power when Fortinbras takes over at the end. Alternatively, we might observe that, while the Danes are engaged in internecine wrangling, the longstanding project ...
... believe in order at any price, you may celebrate the restoration of state power when Fortinbras takes over at the end. Alternatively, we might observe that, while the Danes are engaged in internecine wrangling, the longstanding project ...
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... : 'In few, Ophelia, | Do not believe his vows'; they are 'like sanctified and pious bawds, | The better to beguile' (I.3.126–7, 130–31). He slides from the precautionary injunction, 'Tender yourself more dearly' (I.3.107), to commanding.
... : 'In few, Ophelia, | Do not believe his vows'; they are 'like sanctified and pious bawds, | The better to beguile' (I.3.126–7, 130–31). He slides from the precautionary injunction, 'Tender yourself more dearly' (I.3.107), to commanding.
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... believe that the practice of cutting and reworking began with the playwright's approval, the Folio text being a revised and slightly abbreviated version of the earlier Q2. Throughout stage history certain passages have been repeatedly ...
... believe that the practice of cutting and reworking began with the playwright's approval, the Folio text being a revised and slightly abbreviated version of the earlier Q2. Throughout stage history certain passages have been repeatedly ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word